Francisco Marco, Jordi González and Mayka Navarro, on the set of 'Col·lapse', with the video of Isak Andic's fall in the background.
Journalist and television critic
2 min

On Saturday, Col·lapse interviewed Francisco Marco, director of the detective agency Método 3, to explain the defense's version of Jonathan Andic. He was, therefore, a biased guest, who was hired by the lawyer Sebastián de Juan.With his usual indifference, Jordi González said he doubted whether to call it homicide, accident or murder. “Accident,” Marco replied, emphatically. And González heeded him: “Accident,” the presenter repeated. How easy it is to impose a narrative.The detective spoke about the video of Isak Andic's fall months before his death. He explained, mysteriously, that "an important person from this city" had put them on the trail. Before showing the video to the audience, he described it to condition the viewer: "Isak Andic, just and plop! Falls". The onomatopoeia plop is significant, like an acorn falling from a tree. And he added: "But the important thing about this video is that he doesn't put his hands out". But in the images, it is seen that Andic puts his hand on the step of the stairs to avoid hitting his head. Once again, the detective was already telling us what we should see and think. He was constructing the narrative. Marco referred to Isak Andic as "a gentleman who has a knee condition" and who suffers from "a natural, uncontrolled loss of his legs". He also defined the fall as a "loss of verticality". This supposedly technical use of language was not accidental. It contrasted with the colloquial language he used to describe the work of the Mossos. He spoke of the "fables" they invent, the "fabrication" of evidence, and even used sarcasm to discredit them: "“One of the magnificent pieces of evidence that this policeman says...", he commented with contempt.When Jordi González asked him about the origin of that security video, Marco said: “The gentleman, poor me, who saves Isak Andic from getting into a fight, when he finds out who he is, he asks for the images himself and records them from the monitor with his mobile”. The presenter asks: “To keep them as a souvenir?””, and Marco confirms: “To keep them as a souvenir”. Neither González nor Mayka Navarro – who was participating in the interview – asked him how such an unheard-of frivolity was possible. Marco insisted that this mysterious man was the one who warned “a person close to the environment of La Vanguardia” about the video, and repeated that it is about “a very important family in this city”. A way to give him authority.The most serious and grotesque thing is that while they were talking, the program kept looping Andic's fall, over and over again, on the set's screen. The way of dehumanizing the dead, of turning him into a meme, of reducing him to a test, of repeating the image of the falling man to implant it in our minds is alarmingly insensitive. Marco, by the way, explained that sooner or later we would also see some images they had recorded of people being thrown from the mountain tied with harnesses to reproduce the fall, and he assured that if we saw them, “our souls would shrink”. You already know what the next chapter of the defense will be.

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