Shoemaker entering 286 times the National Court

The entry of former president José Luis Rodríguez Zapatero into the Audiencia Nacional, on 'Espejo público'.
Journalist and television critic
2 min

Wednesday morning was a very stressful day for the media in general and for Espejo público in particular. The control session in the Congress of Deputies coincided with the declaration of José Luis Rodríguez Zapatero at the National Court. By the start of Susanna Griso's program, at nine in the morning, the former president, who was under investigation, had already arrived at the building. They already had the image of the day: Zapatero getting out of the car and climbing the stairs that led him inside the courts.Public Mirror had three different viewpoints of that moment. The first, a general shot, further away, in which Zapatero was seen in profile getting out of the car. The second, tighter, in which he appeared from the back getting out of the vehicle. And the third, very similar, which captured the moment he turned to wave and went up the stairs. The program joined these three scenes to slightly extend the sequence. It was a triple entry to the National Court. Since Zapatero's declaration was simultaneous with the control session, the program split the screen into several parts. But Zapatero's car arriving was an obsession, to the point that they kept the images on loop for practically the entire program: entering the National Court over and over again. Large, small, on one side, in the center, in the bottom corner, or at the top. They varied it depending on the space they had, the connections with the reporters, and the topics they were developing. But the former president was always there, somewhere or another. Between nine in the morning and beyond one in the afternoon, we saw Zapatero enter the National Court up to 286 times (perhaps with a small margin of error which you will allow me, after spending four hours watching the television loop like someone watching a washing machine drum in motion). More than seventy times per hour. From the side, from the back, or waving. Depending on the time, they also added a few images of the confiscated jewels in between, merging the scene of the car arriving with the loot from the safe. Around eleven in the morning, they offered a touch of creativity: they repeated the images again, adding a caption that supposedly reproduced the insults hurled at him by some pedestrians. Up to eighteen times they replayed the images with the addition of “¡SINVERGÜENZA!” and “¡CHORIZO!” in huge yellow letters. From one in the afternoon, Zapatero left the courts through the guest entrance, which caught most of the media off guard. But they managed a fleeting scene of the socialist leaving, which they replayed in slow motion up to 28 times. “¡Nos han jugado al despiste!”, lamented Griso, and the panelist Toni Cantó commented that the building's column had played in his favor because it partially blocked him. The pleasure of the television verdict. Then they reiterated in two boxes the arrival and departure sequences simultaneously. Zapatero twice at the National Court. The satisfaction of a job well done.

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