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  <channel>
    <title><![CDATA[Ara in English - Cronos]]></title>
    <link><![CDATA[https://en.ara.cat/etiquetes/cronos/]]></link>
    <description><![CDATA[Ara in English - Cronos]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA['Cronos', the State against the Mossos]]></title>
      <link><![CDATA[https://en.ara.cat/antoni-bassas-analysis/cronos-the-state-against-the-mossos_1_5839973.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/51fa5384-a77b-4bab-a006-b3150f126875_16-9-aspect-ratio_default_0.jpg" /></p><p>The week ends with the hangover from yesterday's debate in Congress. Just 24 hours later, what we anticipated yesterday on the fly is already being confirmed: Sánchez's explanations arrived late, remain overshadowed by the reality of the thousands of people who are still wandering through Ceuta and, therefore, the Spanish president is doomed. Neither the opposition nor the investiture partners believe that Morocco had nothing to do with it (it is impossible for the illegal displacement of seventy thousand people to go unnoticed by a regime like Morocco) and therefore Sánchez moves between the figure of someone who, for the sake of state, does not want to antagonize a neighbor with the capacity to complicate your life and that of a president who is a victim of blackmail by Morocco. The fact that Sánchez is sentenced is a metaphor, but for the PP and Vox it is a wish. Feijóo said yesterday that “Sánchez will pay for his management, at the polls and in the courts”. And the fact is that Vox has long been reminding that Sánchez can be tried for treason, a procedure that is regulated in article 102 of the Constitution and which would be handled by the criminal chamber of the Supreme Court and which consists of an initiative by a quarter of the members of the Congress of Deputies and requires the approval of half plus one of the deputies (this would be 176), and the PP and Vox alone do not reach it, they are 169.Beyond when and how the legislative term ends, the case has other equally serious dimensions. For example, the power of Morocco, an ally of the United States, with a good relationship with Israel, and which receives money from the EU to regulate migratory flows. This gives it great bargaining power. As our head of International, Francesc Millan, explains today, <a href="https://en.ara.cat/international/better-not-to-speak-of-ceuta-in-brussels_129_5839343.html" >in this column</a> in which he draws the contrast between how the EU stands together when Russia attacks, but when the problem has been at its southern border, the problem was Spanish, not European. Mind you, while we talk about geopolitics, yesterday more than 80 people appeared dead on a migrant boat that arrived in the Canary Islands. The boat had left Gambia 26 days ago.  After decades of apparently predictable life, we have entered the era of life under threat, a hybrid, indirect, disruptive threat that prevents making plans and living under the impression (more or less based on real events) that life depends on us and not on external, geopolitical factors.Speaking of violent disruptions, yesterday the film <a href="https://en.ara.cat/culture/the-17-was-not-just-about-catching-some-terrorists-there-was-communicative-war-at-stake_1_5839766.html" >Cronos, about the attacks on La Rambla and Cambrils in July 2017</a>.I had the opportunity to watch it and I recommend it to you. You start watching it with a knot in your stomach and you finish it the same way.<a href="https://www.youtube.com/watch?v=B6b0gpFo2Ho" rel="nofollow">The pace set by the director is very high and sustained</a>, the script is clear, the acting is competent, and the production is well-resourced. The story is told, above all, from within the Mossos, from Trapero to the commanders who led the capture of the terrorists, which lasted four days, passing through the Mossos' communication director, Patrícia Plaja, and her impeccable crisis communication during those days. The political dispute between the Spanish government and the Generalitat over the management and information regarding the attack is noted, as well as the regrettable leak of <em>The Mossos-The note</em> to make the Mossos and the Generalitat look bad. What is not provided as context is that there was only a month and a half left until October 1st. And the state of shock in Ripoll is also well noted. Not so much the story of boys who were apparently integrated but were ripe for radicalization. But since we are talking about a two-hour film and not a six-part series, many narrative threads come to mind that remain to be unfolded.</p>]]></description>
      <dc:creator><![CDATA[Antoni Bassas]]></dc:creator>
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      <pubDate><![CDATA[Fri, 04 Sep 2026 09:55:06 +0000]]></pubDate>
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      <media:title><![CDATA[Miniature column]]></media:title>
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      <subtitle><![CDATA[The State could not bear that deployment of a Catalan police force that opened fire and took down terrorists. That was too much]]></subtitle>
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      <title><![CDATA["The 17-A was not just about catching some terrorists, there was a communicative war at stake"]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-17-was-not-just-about-catching-some-terrorists-there-was-communicative-war-at-stake_1_5839766.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/38ac818b-5ae1-445a-9670-a4a425aed2fd_16-9-aspect-ratio_default_0_x3012y2421.jpg" /></p><p>Sixteen deaths and more than a hundred injuries make the attacks of August 17, 2017, in Barcelona and Cambrils the bloodiest terrorist massacre of recent decades. A trauma in the collective memory of the country that, according to screenwriter Alberto Marini (Turin, 1973), a Barcelonan by adoption, was forgotten too quickly: “The memorial for the attacks is on the ground of La Rambla; many people don't even know it. Immediately, the shops reopened, the Barça match was played, and there was a desire to turn the page. Possibly, there was no desire to probe deeper into the wound, but to heal a wound, one must scratch the flesh and clean it, not just forget about it.” Marini signs the script for <a href="https://en.ara.cat/culture/the-17-film-that-explains-the-attacks-only-from-the-police-point-of-view_1_5838988.html" target="_blank"><em>Cronos</em></a>, the <em>thriller</em> about the 17-A that premieres this Friday in its original Catalan version and that relives those days of anguish and confusion through the work of the Mossos d'Esquadra to control the initial situation and arrest those responsible for the attack.</p>]]></description>
      <dc:creator><![CDATA[Xavi Serra]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/the-17-was-not-just-about-catching-some-terrorists-there-was-communicative-war-at-stake_1_5839766.html]]></guid>
      <pubDate><![CDATA[Thu, 03 Sep 2026 22:51:36 +0000]]></pubDate>
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      <media:title><![CDATA[Still from 'Cronos'.]]></media:title>
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      <subtitle><![CDATA[The thriller 'Cronos', with Enric Auquer, Mónica López and Sandra Gómez, relives the 2017 attacks in Barcelona and Cambrils]]></subtitle>
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