Nadia Hafid: "There's a white feminism that's very comfortable with capitalism."

The drawings of Nadia Hafid (Terrassa, 1990) unfold onto the page a hypnotic vectorial web of straight lines that lay bare the essence of the reality they depict. In her latest work, Bad Smell, winner of the 2024 Finestres Prize, Hafid analyzes the labor policies of a fictional company, Angle Group, where only women work. An aseptic and uniform environment, supposedly egalitarian, in which a strange odor reveals all the racism and hypocrisy of corporate culture and, by extension, the rest of society.