The Killer's Holiday

Nobody It was a film driven by a clear concept: what would happen if a killing machine hid beneath the dull exterior of a family man? A good cast was essential to success, and fortunately, Bob Odenkirk It turned out to be an unbeatable choice; an actor admired for his comic timing, but we suddenly discovered he was also wary of picking up a gun and shooting at point-blank range. The film's success made the announcement of a sequel inevitable, linked to the reasonable doubt of how to continue the concept once the excitement of the surprise factor had subsided.

Nobody 2 He responds to skepticism by clinging to precisely that exhaustion. Now that everyone in his circle knows about the protagonist's lethal abilities and that risk has literally become his job, it's revealed to us that even hails of bullets and broken bones can become as routine as an office. Alienated and in need of some "quality time" with his loved ones, our man decides to take a break and take the family on vacation to a rundown resort... which soon reveals itself to be something much more murky than a simple tourist trap.

The film capitalizes on this scenario, turning the paradise of leisure into a place ripe for ultraviolence. However, although Indonesian director Timo Tjahjanto is a steadier director than his predecessor, Ilya Naishuller, the body's affinity for the character's affinity for the things that matter most is best developed. However, the machinery is sufficiently oiled with the actors' recreational chemistry for the film to complete its mission. And if the fate of Nobody is to become a franchise, we can only ask that future installments maintain the good taste of not wanting to extend the joke beyond 90 minutes.