No is expected that the future chapel of Penance – one of the spaces of the Sagrada Família still pending construction – will have any tribute to the neighbors of the temple, but by God that for some of the inhabitants of the neighborhood the coexistence with the basilica has become a sacrifice. Especially in recent years. The visit of Benedict XVI in 2010 – the last by a pope to Barcelona – triggered global interest in the work of Antoni Gaudí. Among the neighbors there is fear that the broadcast worldwide of the blessing of the tower of Jesus that Pope Leo XIV will perform on Wednesday, will cause a similar explosion.

At the Sagrada Família, the centenary of Antoni Gaudí's death will be commemorated by the inauguration and blessing of the Jesus tower by Pope Leo XIV. As soon as the technicians removed the scaffolding, the four-armed cross that crowns it, at 172.5 meters high, became a global icon. Currently, the construction of the entire temple is 80% complete, and these will be the next architectural milestones. The forecast is that the works will be finished around the year 2035.

La Sagrada Família is a Catholic church, a monument, and a tourist attraction. But it is also one of the economic engines of the city of Barcelona, both for the business it indirectly generates, for example through tourism, and also for its direct business volume, for the investments it makes, and for the jobs it creates. The figures are clear: in 2025, the basilica closed with generated income of 134.5 million euros. A turnover that has been growing in recent years.

We interview the delegate president of the Sagrada Família Construction Board Foundation, Esteve Camps, a few days before Pope Leo XIV visits the temple to mark the centenary of Antoni Gaudí's death.

That the Sagrada Família has a strong political charge in itself has been demonstrated this very week by the controversy over the use of Catalan in the blessing of the tower of Jesus by Pope Leo XIV on June 10. As the poet Joan Maragall said in 1905 in an article in the Diario de Barcelona: "The Sagrada Família is the monument of Catalan identity in Barcelona, it is the symbol of eternally ascending piety, it is the concretization in stone of the yearning for height, it is the image of the popular soul". The symbolism of Antoni Gaudí's work had a political and social message from its beginnings, not just a religious one. It connects with the unique personality of the architect, a deeply Catalanist, conservative man involved in social Catholicism.

At first glance, no one would say so, but in an industrial estate in Les Borges Blanques there is one of the key pieces of the Sagrada Família's machinery. There, piled on top of each other, are some of the stones that have made it possible for the temple to reach its roof this year with the completion of the Tower of Jesus, but also those needed to continue the work. In the capital of Les Garrigues, for almost fifteen years now, the stone that arrives from all over the world with which the basilica is being built has been stored. An open-air catalogue of the raw material with which Antoni Gaudí's great dream is made.

Salvador Illa has the photograph that many fans would like to have. The President of the Generalitat took a selfie this Sunday at the Sagrada Família with Bad Bunny, the Puerto Rican artist who was in Barcelona this weekend to start his European tour, where he performed two concerts at the Olympic Stadium.

In a month, on June 9th, the Pope will arrive in Catalonia, where he will spend the night, and will leave the next day. He will arrive at El Prat airport on Tuesday, June 9th, at half past twelve, and from there he will go to Barcelona Cathedral to hold a prayer. The next public stop will be at 8 p.m. at the Lluís Companys Olympic Stadium for a massive prayer vigil. According to the organization, the option of it being at Camp Nou was considered, but FC Barcelona's board of directors ruled it out because the logistics involved delaying the stadium's construction by a month. The following day, Wednesday, June 10th, the Pope will visit Brians 1 prison, in Sant Esteve Sesrovires, and from there he will go up to Montserrat, where he will lead a prayer and have lunch with the community of monks. In the afternoon he will return to Barcelona, to the church of Sant Agustí, in the Raval (the Pope is from the Augustinian order). At half past seven, the moment that will be most broadcast worldwide will arrive, the mass at the Sagrada Família, which is a television setting that never ends. At the end of the mass – it will be half past eight in the evening –, with the twilight sun, he will bless from the street the tower of Jesus Christ, crowned weeks ago and which has made the Sagrada Família the tallest temple in the world. The next day, Thursday, June 11th, he will leave for Las Palmas. Pope Robert Prevost will have arrived in Madrid on the 6th and will return to Rome from the Canary Islands on the 12th.This trip is curious because the reason for bringing him to Spain at this time is the Sagrada Família. On June 10th, it will be 100 years since Gaudí's death, and to solemnize the centenary, the Pope has agreed to go to Barcelona to bless the tower of Jesus Christ, which crowns the basilica. Thus, it is from this date and this act that the entire trip is organized. In Madrid, he will go to the Congress of Deputies, where he will deliver a speech in a joint session of the Congress and the Senate. One can imagine the interest Pedro Sánchez's government must have in the Pope giving a political speech, because he is against war, he is attacked by Trump, and he has warned the Spanish bishops not to be instrumentalized by the far-right. The trip has a very marked social component, because Leo XIV will go to a shelter for homeless people in Madrid, he will go to prison, he will go to the Raval in Barcelona, and he will end up in the Canary Islands, the entry point – often fatal – for sub-Saharan immigration into the European Union. It is a trip that Pope Francis could have made if he had not been so ill in the final years of his pontificate.  It is noticeable in the program that, apart from being very packed, it is the typical trip of the Pope to Spain, very controlled so that it is exactly that, a trip to Spain: the kings will accompany him at every step, they will receive him at the Royal Palace in Madrid, he will meet with Pedro Sánchez (a photo that Sánchez is eager to have). Yesterday, the cardinal of Barcelona, Omella, dodged the question when asked about the use of Catalan during the trip. It is the usual thing, the undisguised influence in the Vatican of the Spanish episcopate so that the distinct personality of Catalonia and its language are not perceived as merely regional. I do not believe, however, that Catalan Catholic sectors will stand idly by to counteract this new episode of surveillance of the Pope's words in Catalonia, which, frankly, at this point in history we could do without.And as everything is susceptible of worsening, the “Christian lawyers” appear to ask that the Pope not go to the Lluís Companys Stadium, because under his presidency thousands of religious men and women were killed, and they finish by saying that “it is outrageous that the Pope himself goes to a stadium that honors a murderer”. Needless to say, Companys not only did not have anyone killed, but he tried to save many people, but on July 18, 1936, and in the following months, the president of the Generalitat was absolutely overwhelmed by the armed violence of groups of anarchists and the extreme left, who were the authors of the assassinations. In short, as if the lie were not big enough, the same group asks the Pope to go to the Valley of the Fallen. The Pope's visit, therefore, has political, cultural, social, national, and security components (as the world is) of great importance and symbolism. We will follow it closely.Good morning.

The last few months have been hectic at the Sagrada Familia. On February 20, Gaudí's temple reached its peak with the placement of the upper arm of the cross of the tower of Jesus. A cross that was visible weeks later, when the coverings were removed and which was fully completed less than a month ago, with the installation of the gauge that decorates the structure with six red lights to make it visible for air traffic. But while everyone was watching the movement of cranes and scaffolding, in one of the basilica's towers there were other novelties: the pair of peregrine falcons, which for two decades have been the only inhabitants of the Sagrada Familia, saw two chicks being born.

In the end, tonight, Donald Trump has not ended with “an entire civilization”, because Iran and the United States have given themselves another fifteen days. Trump has found a temporary way out of this war without a clear objective and Iran has resisted and put its conditions on the table. Everyone has lost, in fact, we have all lost, but Trump and the ayatollahs will say they have won. The one who continues to go their own way is Israel, which has already said it does not feel concerned by this two-week ceasefire and will continue to attack southern Lebanon. In any case, this morning we have reasons to breathe a little relieved. And if you want to add a point of reflection, do not miss this article by philosophy professor Ferran Sáez Mateu, titled “Trump: how did we get here?”, in which he explains why people vote for him. “Many voters make a decision based on who they believe they are or what subjective threats they perceive”. Closer, three interesting posts, today. The first: the Spanish Minister of Culture, Ernest Urtasun, has not dared to temporarily move Picasso's Guernica to the Basque Country, as the government of Vitoria had requested.Urtasun clings to the technicians' report which says that with the transfer, the painting could be damaged. The most progressive government in history will not take the symbolic step of exhibiting Guernica in the Basque Country. The reason interests us quite a bit: the work could be damaged. Like the frescoes of Sixena, right?Two: the Spanish government wants to change the Constitution to protect the right to abortion. They did it in France, because the extreme right, when it governs, rolls it back, and because in Spain, most abortions are not performed in public healthcare (in Catalonia, yes), but in private ones. The Spanish government will not achieve it, because to change the Constitution, a majority of ⅗ parts is needed, meaning the PP's votes are required, and the PP will not give them the votes. Why is the PSOE doing it? With the real argument of protecting rights, it forces the PP to say no and alienate itself from the female vote and align itself with VOX, with whom, moreover, they are agreeing on regional governments in Extremadura, Aragon, and Castile and León. And the elections in Andalusia are coming.And the third, and very symbolic: yesterday, the Spanish Episcopal Conference presented some details of the visit of Pope Leo XIV, in just two months. The theme of the trip will be “Lift your eyes”, which is exactly what Leo XIV himself will do in Barcelona when he goes out onto Sardenya street to bless from below the cross that has recently culminated the Sagrada Familia.Without the Sagrada Família, the Pope would not have moved from Rome, but if he came, he had to pass through Madrid (no need to explain why) and take the opportunity to make a trip that his predecessor Pope Francis would have liked to make, which is to go to the Canary Islands, a point of arrival for which thousands of Africans risk their lives trying to enter the European Union. No sooner said than done, here is the logo, of a kitsch and outdated design as has not been seen for a long time, in which the Sagrada Família appears in the middle, the Puerta de Alcalá on the left and the sea (which represents the Canary Islands, which surrounds it). And now for the best part. When presenting the trip, the Episcopal Conference says that, in this act of looking up, one finds “the recognition of God as a source of unity (Madrid), beauty (Barcelona), and charity (the Canary Islands)”.Given that you are chosen for some concept, it is fine that Barcelona is associated with beauty, but don't tell me it's not sensational that the recognition of God as a source of unity is Madrid. Madrid, destination unit in the spiritual, too. It is clear that this trip will not escape the same national tension that was already experienced in 1982 with the visit of John Paul II and in 2010 with that of Benedict XVI.Good morning.

The accident in which Antoni Gaudí was struck by a tram on June 7, 1926, at the intersection of Bailèn and Gran Via streets, is well-known and forms part of the popular myth surrounding the brilliant architect, as does the fact that those who initially came to his aid thought he was a beggar. His simplicity and austerity were thus reinforced. Three days later, Gaudí died at the Hospital de la Santa Creu, the hospital for the poor, where he had been taken because of his appearance and where he chose to remain. So far, so well known.

How many old photo albums lying around houses hold pictures taken on rooftops? Grandparents or parents would climb up there with those cameras that had limited technology (they were called "portrait machines"), searching for the light that was lacking in the apartment so the photo wouldn't come out dark, and a simple background that the street couldn't provide. I suppose they must have looked for their own horizon reference point in each location. In Barcelona, ​​it was clear: the Sagrada Família, with those first four bare towers of the Nativity façade on Sardenya Street, which were the image of the city for almost forty years. The image was so fixed that for many Barcelonans, those four spires were enough.

Antoni Gaudí dedicated himself exclusively to the Sagrada Família for the last twelve years of his life. By then, he had already established himself as a brilliant architect, and the Sagrada Família is, moreover, an exceptional building. However, Gaudí liked to know what the humblest people thought of his work. When he finished the Bernabé Tower, Gaudí asked the clockmaker who wound the temple's clocks what he thought of it. When the man replied that it was "incredible," Gaudí was overjoyed and spent the entire day repeating to everyone that the man had said the tower was wonderful. This was explained by Jordi Faulí, the architect in charge and coordinator of the temple's construction, and Chiara Curti, an architect and Gaudí scholar, who this Sunday led the commemoration of the centenary of the inauguration of the Bernabé Tower, the only one Gaudí saw completed. “What Gaudí did was teach us a method, that is, to build in complete parts, to awaken people’s capacity for wonder,” Curti explains. “In the Sagrada Familia, Gaudí began with the small chapel in the crypt and then finished the crypt. He continued with the apse, and when that was finished, he built another one.” The Tower of Barnabas is the easternmost, and it is no coincidence that it was the first one he finished. “Saint Barnabas is the last of the apostles. In fact, he didn’t even know Jesus, and, in a way, he is the most like us, because we too believe without having known. This gesture meant highlighting the contemporaneity of this apostle.”

The Sagrada Família is finalizing the work to complete what will be the icing on the cake of the events commemorating the centenary of Antoni Gaudí's death. Although it won't be open to visitors until later, the viewing cross that will crown the Sagrada Família's tallest tower will be ready in June 2026, coinciding with the anniversary of the death of the architect who designed the basilica. This figure, 17 meters high, 13.5 meters wide, and weighing 100 tons, will bring the tower of Jesus Christ to a height of 172.5 meters (it currently measures about 155 meters) and make the Sagrada Família the tallest religious building in Europe. It will be one of the milestones of a temple that still faces, however, the challenge of the staircase. An issue that the construction board acknowledged this Thursday will end up in court.

At the beginning of May, the world premiere of Symphony of the Sagrada Familia, a piece in three movements by Richard Blackford (London, 1954), which is inspired by the forms and spirituality conveyed by Gaudí's temple and, specifically, by its three façades: Nativity, Passion, and Glory. Blackford, who lives between Mallorca and the British capital, has a very long career that took a sudden turn in 2014: he consolidated the career of a contemporary composer who you only have to listen to to realize that he is and sounds, also, like a classic. The proof, in addition to the Gaudí symphony, which is accompanied by a film ad hoc, could be Pietan either Voices of Exile, a composition that resonates especially these days, for sadly obvious reasons.