Released on January 5th of this year, DEBINO ECHAR Más FOTOS (written with this combination of lowercase and uppercase letters) has so far been the most successful album in terms of online streams released in 2025. Only the everlasting Taylor Swift, who hasn't released any work that resembles a Bad Bunny in any kind of grace. Within hours of its release, its new catalog of songs had already brought critics to a consensus: it's possibly Martínez Ocasio's best album. Or at least the richest in genres and influences.
The richness of an album may be a subjective opinion, but the journey its protagonist has taken isn't. Bad Bunny became a star by focusing his attention on his roots in Puerto Rico, and instead of going downmarket, he's focused more than ever on this album. "When you're far away is when you appreciate things best," said Bad Bunny in his last interview with the New York Times , which highlighted in the headline that he had made his "most Puerto Rican" album. And so it is from the cover, dominated by two empty chairs as a symbol of the gentrification of Puerto Rico, one of the album's central themes. There's one song— " Lo Que Pasó en Hawái "—that speaks openly, and he constantly expresses himself: "They want to take our beaches... The houses are coming... And nobody knows what's happening here," he explained to Forbes , where he emphasized that it's not just an economic issue, but also a "cultural and identity issue."
References to his country are constant, both in the past—including texts on the history of Puerto Rico—and in the present, not only in the denunciations but also in the inclusion of new artists from the country, relatively unknown until now in Catalonia, who collaborate on DEBÍ TIRAR Más FOTOS . This is the case with RaiNao, the Aldorondo brothers, Chuwi, and Omar Courtz.
What's paradigmatic is that Bad Bunny has achieved his most resounding triumph with the album that most focuses on the local scene. The reason for this is also to be found in the type of song. At a time of relative stagnation in urban music, Martínez Ocasio has managed to broaden the musical spectrum and lean toward salsa—the album opens with NUEVAYoL and a sample of the classic Un verano en Nueva York by El Gran Comboi, and there are references to Fania artists like Willie Colón and the band's foundation, Héctor Lavoe: dembow, reggaeton, disco, and house. There's also an indirect Catalan presence, as Rosalía is cited in one song— Voy a quitate pa' PR —and in Weltita he sings a verse from La flaca by Jarabe de Palo.
Just a few months after its release, DEBÍ TIRAR Más FOToS is already one of those albums that are here to stay and appear on the classic lists of historic albums that you should listen to before you die.