Undoubtedly, one of the trends of this edition of the Cannes Film Festival is the prominence of LGBTI relationships, present in eight titles in the official competition. The film where the theme is most central has been, of course, La bola negra by the Javis, but also La vie d’une femme, with a superb Léa Drucker as a surgeon who falls in love for the first time with another woman, and, above all, Coward, where Lukas Dhont explores the trenches of the First World War as a space where dissident sexualities find cracks to exist.