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    <title><![CDATA[Ara in English - Artemis]]></title>
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    <description><![CDATA[Ara in English - Artemis]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[Return to the Moon, flee from the Earth]]></title>
      <link><![CDATA[https://en.ara.cat/sunday/return-to-the-moon-flee-from-the-earth_129_5704284.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/cab70fdc-553f-4c6f-a111-a438f5ecacdf_16-9-aspect-ratio_default_0.jpg" /></p><p>Humanity, <a href="https://en.ara.cat/science-technology/artemis-ii-prepares-to-make-history_1_5699677.html">with the Artemis mission</a>, is once again looking towards the Moon and, with it, unearths from the memory chest the old space race that marked the Cold War. Back then, amidst the dangerous tensions between the United States and the Soviet Union, the world fractured into two irreconcilable blocs and the conquest of space became another stage for geopolitical competition. It was not just about reaching further, but about demonstrating who had the capacity to impose themselves on the other. In this context, the media flooded the collective imagination for years with images of rockets, astronauts, and distant planets. A persistent iconography that not only informed, but also shaped how society thought about tomorrow. Because, fundamentally, every society is also built upon this inevitable question: what awaits us in the future?Imagining life in space involved speculating about what this day-to-day would be like, and design was launched to rethink furniture, cars, and housing for this projected future. Between armchairs that evoked capsules and residences that seemed like orbital stations, the "<em>space age</em>" fashion was born, conceived to facilitate a hypothetical interplanetary life. Creators like André Courrèges or Pierre Cardin opted for rigid outfits, detached from the body, almost like shells. White, associated with the aerospace universe, became the dominant color, accompanied by helmets and metallic boots. In parallel, Paco Rabanne's proposals took fashion towards the realm of engineering, with pieces made of metallic plates that stretched the very limits of the discipline.What is revealing, seen with perspective, is the extent to which these speculations about the future have outstripped reality. If we had listened to Stanley Kubrick with <em>2001: A Space Odyssey</em>, to <em>Star Trek</em> or even to <em>The Jetsons</em>, today we would already be living among flying cars, off planet Earth and in zero gravity conditions. But perhaps it is even more significant to note that, if technological imagination often goes too far, it tends, on the other hand, to fall short in other areas: such as women's rights. In these imaginary worlds, they continue to occupy subordinate positions, even in futures where humanity already inhabits other planets. And this forces us to ask whether we are really dealing with speculations or, rather, with projected male desires.However, beyond the television impact of the first moon landing –a moment highly choreographed from a propagandistic point of view by the United States–, the most transformative image was not that of the Moon, but that of the Earth. The Blue Marble photograph, which became humanity's first selfie, revealed a paradox: after years of division and confrontation, what we saw was, in reality, a single shared unit. And it was precisely this compact image that activated, in a part of the population, a new pacifist and ecological consciousness.Unlike the Cold War, today the United States does not compete in a strictly bipolar world, even though the space race continues to be a duel, this time with China, which has also set out to step on the Moon in the coming years. It is, however, inevitable to point out the paradox: at a time when the world seems to be fragmenting and humanity is going through a deep crisis of values, we look outwards again. Perhaps, as in Andrei Tarkovsky's <em>Solaris</em>", this journey is not so much about the future as about the past. Or perhaps – and herein lies the question – it should serve us, precisely, to look better in the mirror and rethink where we stand as humanity. But perhaps, seeing the recent images of Artemis astronauts wishing a Happy Easter from space and looking for eggs around the ship, what is in doubt is not the future, but whether we still have any shred of self-awareness.</p>]]></description>
      <dc:creator><![CDATA[Sílvia Rosés]]></dc:creator>
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      <pubDate><![CDATA[Sat, 11 Apr 2026 05:01:23 +0000]]></pubDate>
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      <media:title><![CDATA[NASA video capture where astronauts Reid Wiseman (l), Jeremy Hansen (c), and Christina Koch appear, showing the food they consume aboard the Orion spacecraft of the Artemis II lunar mission]]></media:title>
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      <title><![CDATA[The most risky moment of the Artemis II mission arrives: entering Earth's atmosphere at 40,000 km/h]]></title>
      <link><![CDATA[https://en.ara.cat/science-technology/the-riskiest-moment-of-the-artemis-ii-mission-arrives-entering-earth-s-atmosphere-at-40-000-km-h_130_5703358.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/be04825c-0c0a-4a78-a84a-acd79a2d8631_16-9-aspect-ratio_default_0.jpg" /></p><p>In all space missions, there is an evident risk to the lives of astronauts. And the most delicate moments are always takeoff and landing. But in Artemis II, NASA's mission that concludes this Friday after ten days of travel, the return to Earth is undoubtedly the most risky moment. To begin with, because during takeoff the astronauts had an ejection system in case of emergency (which would have expelled them to save them in case of an explosion), but above all because the re-entry into the Earth's atmosphere this time presents some extra challenges compared to previous missions. </p>]]></description>
      <dc:creator><![CDATA[Sònia Sánchez]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/science-technology/the-riskiest-moment-of-the-artemis-ii-mission-arrives-entering-earth-s-atmosphere-at-40-000-km-h_130_5703358.html]]></guid>
      <pubDate><![CDATA[Fri, 10 Apr 2026 10:17:49 +0000]]></pubDate>
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      <media:title><![CDATA[The Earth seen from the other side of the moon]]></media:title>
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      <subtitle><![CDATA[A historic mission to the Moon concludes, launching the "Artemis generation"]]></subtitle>
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      <title><![CDATA[Mission accomplished: the four Artemis II astronauts return to Earth]]></title>
      <link><![CDATA[https://en.ara.cat/science-technology/the-most-risky-moment-of-the-artemis-ii-mission-arrives-entering-earth-s-atmosphere-at-40-000-km-h_130_5703355.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/987cf37c-8b11-4adb-b094-4e815892807c_16-9-aspect-ratio_default_0_x500y438.jpg" /></p><p>Mission accomplished. The four Artemis II astronauts are back on Earth, after going to the Moon and returning. This historic mission, which lasted 10 days, is the first in over 50 years to take humans to the Moon, and it has made them the people who have traveled farthest from Earth in the history of humanity. At 1:53 AM, Catalan time, the Orion capsule carrying the astronauts re-entered Earth's atmosphere at a speed of 40,000 km per hour, faster than any other spacecraft before. A particularly risky maneuver, but one that has been successfully overcome.</p>]]></description>
      <dc:creator><![CDATA[Sònia Sánchez]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/science-technology/the-most-risky-moment-of-the-artemis-ii-mission-arrives-entering-earth-s-atmosphere-at-40-000-km-h_130_5703355.html]]></guid>
      <pubDate><![CDATA[Fri, 10 Apr 2026 10:12:59 +0000]]></pubDate>
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      <media:title><![CDATA[The Orion capsule of Artemis II splashes down in the Pacific Ocean.]]></media:title>
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      <subtitle><![CDATA["A new era of human exploration begins," NASA says as it concludes the first mission to the Moon in more than 50 years]]></subtitle>
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