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    <title><![CDATA[Ara in English - Luisa Cunillé]]></title>
    <link><![CDATA[https://en.ara.cat/etiquetes/luisa-cunille/]]></link>
    <description><![CDATA[Ara in English - Luisa Cunillé]]></description>
    <language><![CDATA[es]]></language>
    <ttl>10</ttl>
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      <title><![CDATA[Pere Arquillué and Imma Colomer premiere Lluïsa Cunillé's 'Hamlet']]></title>
      <link><![CDATA[https://en.ara.cat/culture/pere-arquillue-and-imma-colomer-premiere-lluisa-cunille-s-hamlet_1_5737025.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/a827835d-dca4-495f-b79e-fcf536be810b_16-9-aspect-ratio_default_0_x870y484.jpg" /></p><p>The playwright Lluïsa Cunillé (Badalona, 1961) wrote the play <em>Dinamarca</em> in 2014 and published it in 2017. The text is, according to director Albert Arribas, "a contemporary classic that has impacted many people" but which, until now, had never premiered in Catalonia. Sala Beckett and the production company Bitò have joined forces to bring it to the stage, in a production starring Pere Arquillué and Imma Colomer under Arribas's direction. The play will be performed from May 15 to June 14 at the Beckett and, from the autumn, will tour Catalonia. "<em>Dinamarca</em> is Lluïsa Cunillé's <em>Hamlet</em>. It revisits the ghosts of two characters marked by resentment and the need for revenge. The world had made them promises that have been broken, and they consider whether to be or not to be, whether to commit suicide or not," explains the director.</p>]]></description>
      <dc:creator><![CDATA[Núria Juanico Llumà]]></dc:creator>
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      <pubDate><![CDATA[Thu, 14 May 2026 12:22:44 +0000]]></pubDate>
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      <media:title><![CDATA[Pere Arquillué and Imma Colomer in 'Denmark']]></media:title>
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      <subtitle><![CDATA[Albert Arribas directs 'Denmark', a duel between mother and son, at Beckett]]></subtitle>
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    <item>
      <title><![CDATA[The decline of Europe makes for a good theatrical meal, but not to everyone's taste.]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-decline-of-europe-makes-for-good-theatrical-meal-but-not-to-everyone-s-taste_1_5525296.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/67cc10e5-711c-4b5e-9635-325c1e24e3d7_16-9-aspect-ratio_default_0_x2053y2424.jpg" /></p><p>The fall of the Berlin Wall opened the gates of heaven to the citizens of so-called Eastern Europe. The defeat of communism promised a new life in democracy that would guarantee the rights restricted by the ferocious socialist dictatorships. They were deluded, because storm clouds quickly covered those skies and joy turned to resignation. This is what the photographer, suffering from fibromyalgia, says, who survives with her husband in a city in one of those countries and who won a prestigious award precisely for her photographs of the fall of the iconic German wall. They came out of the fire and into the embers. The embers of capitalism. The Europe of illusion turned into the Europe of frustration in metaphor. <a href="https://en.ara.cat/culture/lluisa-cunille-s-visionary-work-the-end-of-europe-and-the-world-to-come_1_5515924.html" target="_blank">fog from the work of Lluïsa Cunillé winner of the Frederic Roda 2014 prize</a>.</p>]]></description>
      <dc:creator><![CDATA[Santi Fondevila]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/the-decline-of-europe-makes-for-good-theatrical-meal-but-not-to-everyone-s-taste_1_5525296.html]]></guid>
      <pubDate><![CDATA[Sat, 11 Oct 2025 10:32:33 +0000]]></pubDate>
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      <media:title><![CDATA[A scene from 'Niebla', at the TNC.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/67cc10e5-711c-4b5e-9635-325c1e24e3d7_16-9-aspect-ratio_default_0_x2053y2424.jpg"/>
      <subtitle><![CDATA[The TNC premieres 'Boira', by Lluïsa Cunillé, with Quim Àvila, Jordi Collet, Lina Lambert, Àurea Márquez and Albert Pérez]]></subtitle>
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    <item>
      <title><![CDATA[Lluïsa Cunillé's visionary work on the end of Europe and the world to come]]></title>
      <link><![CDATA[https://en.ara.cat/culture/lluisa-cunille-s-visionary-work-the-end-of-europe-and-the-world-to-come_1_5515924.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/c1d7b582-a49f-4325-b294-94bf13d927ed_16-9-aspect-ratio_default_0_x2048y1172.jpg" /></p><p>After inaugurating the Teatros del Farró with some short texts that accompany <a href="https://en.ara.cat/culture/an-unknown-woolf-for-magnificent-new-theatre_1_5500333.html" target="_blank"><em>Freshwater</em></a> by Virginia Woolf and after opening the season at the Atrium Hall with the excellent <a href="https://en.ara.cat/culture/the-story-of-newsstand-owner-that-deserves-visit-to-the-atrium-room_1_5511997.html"><em>I count every step I take on earth.</em></a>, the National Theatre of Catalonia opens its Sala Tallers with the third show by Lluïsa Cunillé, one of the most prestigious and performed authors in Catalan theater. Lurdes Barba directs, from October 9 to November 9. <em>Fog</em>, a show set 25 years after the fall of the Berlin Wall in a former Soviet republic where dreams of progress and freedom have been buried. </p>]]></description>
      <dc:creator><![CDATA[Laura Serra]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/lluisa-cunille-s-visionary-work-the-end-of-europe-and-the-world-to-come_1_5515924.html]]></guid>
      <pubDate><![CDATA[Thu, 02 Oct 2025 13:58:06 +0000]]></pubDate>
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      <media:title><![CDATA[The performers of 'Niebla' in a promotional image.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/c1d7b582-a49f-4325-b294-94bf13d927ed_16-9-aspect-ratio_default_0_x2048y1172.jpg"/>
      <subtitle><![CDATA[Lurdes Barba directs the National Theatre's 'Boira', set in a former Soviet republic 25 years after the fall of the Wall.]]></subtitle>
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      <title><![CDATA[The story of a newsstand owner that deserves a visit to the Atrium Room]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-story-of-newsstand-owner-that-deserves-visit-to-the-atrium-room_1_5511997.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/8fd8e4b1-7cee-404a-a51d-237d753cf300_16-9-aspect-ratio_default_0_x588y404.png" /></p><p>The seemingly most boring lives can hide small and large dramas. The protagonist of this dark tale by Lluïsa Cunillé is a gray man with a gray life. Despite being widely read, he has had little choice. And it's not that he didn't have youthful dreams; quite the contrary, he wanted to travel and see the world. One day, he even thought he'd like to join the circus of his future wife, the daughter of an elephant tamer. But the world that passed him by was that of his father's kiosk next to a convention center, where he had no choice but to work.</p>]]></description>
      <dc:creator><![CDATA[Santi Fondevila]]></dc:creator>
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      <pubDate><![CDATA[Mon, 29 Sep 2025 06:56:25 +0000]]></pubDate>
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      <media:title><![CDATA[Oriol Genís stars in the show]]></media:title>
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      <subtitle><![CDATA[Oriol Genís excels in his role as a gray man in 'I Count Every Step I Take on Earth']]></subtitle>
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