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    <title><![CDATA[Ara in English - Emmanuel Carrère]]></title>
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    <description><![CDATA[Ara in English - Emmanuel Carrère]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA["When the mother announced that she was going to die, I immediately started taking notes."]]></title>
      <link><![CDATA[https://en.ara.cat/culture/when-the-mother-announced-that-she-was-going-to-die-immediately-started-taking-notes_128_5670786.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/eb1315ac-aff7-4824-b766-561300af8af9_16-9-aspect-ratio_default_0_x1762y790.jpg" /></p><p><a href="https://en.ara.cat/culture/the-death-of-emmanuel-carrere-s-russian-mother_1_5651963.html" target="_blank"><em>Kolkhoz</em></a>, the title of the new novel by<a href="https://es.ara.cat/cultura/leer/entrevista-emmanuel-carrere-vida-paz-abismo-literatura_128_3885203.html" target="_blank">Emmanuel Carrère</a> (Paris, 1957), published in Catalan and Spanish by Anagrama, alludes to a communal form of Soviet agricultural exploitation, but, for the Carrère family, the word described the moment when Hélène Carrère de Encausse's three children would gather with their mother in bed to have sex. It is fitting that the title addresses both the history of the Soviet Union and the Carrère family's intimacy, the two axes intertwined in this novel that the writer dedicates to his mother. <a href="https://en.ara.cat/opinion/helene-carrere-encausse-and-the-errors-of-the-kremlinologists_129_5584942.html" target="_blank">Hélène Carrère de Encausse</a> (1929-2023), daughter of Russian and Georgian exiles who became the great historian on the Soviet Union in Europe, an expert Kremlinologist and revered in France.</p>]]></description>
      <dc:creator><![CDATA[Xavi Serra]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/when-the-mother-announced-that-she-was-going-to-die-immediately-started-taking-notes_128_5670786.html]]></guid>
      <pubDate><![CDATA[Fri, 06 Mar 2026 19:53:56 +0000]]></pubDate>
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      <media:title><![CDATA[French writer Emmanuel Carrere at the Anagrama publishing house in Barcelona.]]></media:title>
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      <subtitle><![CDATA[Writer, publishes 'Kolkhoz']]></subtitle>
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      <title><![CDATA[The Death of Emmanuel Carrère's Russian Mother]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-death-of-emmanuel-carrere-s-russian-mother_1_5651963.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/9ac4df87-f305-4396-b9a7-0ac4e023d346_16-9-aspect-ratio_default_0.jpg" /></p><p>The death of the mother of<a href="https://es.ara.cat/cultura/leer/entrevista-emmanuel-carrere-vida-paz-abismo-literatura_128_3885203.html" > French writer Emmanuel Carrère</a> It had to culminate in a book. The inevitable recollection of the past that accompanies the death of a parent was the lever that propelled him, once he had digested the highly sensitive material, to write the mixture of chronicle and family autobiography that is <em>Kolkhoz</em>A book full of surprising relatives—Carrère has a cousin who is the president of Georgia!—and in which he himself would be like a kind of first cousin of<em>A Russian novel </em>and of <em>Limonov</em>, two of the peaks of Carrère's work. With a translation by Ferran Ràfols Gesa that sounds wonderful, <em>Kolkhoz</em> It revisits Russian themes and even brings back some of the characters from those books, but it plays on different ground, that of family history linked to the history of the 20th century: can the description of a private room tell of a historical shift? In the land of Georges Duby, the answer is "of course," and Carrère proves it beyond a doubt.</p>]]></description>
      <dc:creator><![CDATA[Marina Espasa]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/the-death-of-emmanuel-carrere-s-russian-mother_1_5651963.html]]></guid>
      <pubDate><![CDATA[Wed, 18 Feb 2026 06:15:22 +0000]]></pubDate>
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      <media:title><![CDATA[Emmanuel Carrère]]></media:title>
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      <subtitle><![CDATA['Kolkhoz' revisits the themes of 'Limonov' and 'A Russian Novel' to bid an emotional farewell to the author's mother, the historian Hélène Carrère de Encausse]]></subtitle>
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      <title><![CDATA[Hélène Carrère de Encausse and the errors of the Kremlinologists]]></title>
      <link><![CDATA[https://en.ara.cat/opinion/helene-carrere-encausse-and-the-errors-of-the-kremlinologists_129_5584942.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/dcf8d5ad-1660-4a7b-86b4-c809639722e3_16-9-aspect-ratio_default_0.jpg" /></p><p>What goes on behind the Kremlin walls? This was the question that, during the long existence of the Soviet Union (1917-1991), certain figures known as the Kremlin strove daily to answer. <em>Kremlinologists</em>They supposedly knew everything there was to know about a secretive and complex regime. When the time came, it became clear that they knew almost nothing: the collapse of the Soviet Union caught them completely by surprise. <em>Kremlinologist</em> Europe's most celebrated woman, Hélène Carrère d'Encausse, was a perfect example of that group blinded by its own prejudices.</p>]]></description>
      <dc:creator><![CDATA[Enric González]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/opinion/helene-carrere-encausse-and-the-errors-of-the-kremlinologists_129_5584942.html]]></guid>
      <pubDate><![CDATA[Sat, 06 Dec 2025 17:00:56 +0000]]></pubDate>
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      <media:title><![CDATA[THE MEETING OF DISCORD François Hollande and Vladimir Putin had dinner yesterday at the Élysée Palace, where they disagreed on the way forward to end the violence in Syria.]]></media:title>
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      <subtitle><![CDATA[]]></subtitle>
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      <title><![CDATA[Why are we fascinated by murderers?]]></title>
      <link><![CDATA[https://en.ara.cat/culture/why-are-we-fascinated-by-murderers_129_5366138.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/666acd70-4f40-4d7c-99cd-63105514ff57_16-9-aspect-ratio_default_0.jpg" /></p><p>"Truman Capote said that when he began to approach the real story that would be the center of<em>In cold blood</em>, suddenly had a doubt, the feeling that maybe he was going to run away: it ended up taking five years of his life, five years of nightmares. For me, it took me thirst." The French writer explains this. <a href="https://es.ara.cat/cultura/leer/entrevista-emmanuel-carrere-vida-paz-abismo-literatura_128_3885203.html" target="_blank">Emmanuel Carrère</a>, about the book <em>The adversary </em>(Anagrama, translated by Marta Marfany). Around Sant Jordi, I discovered that Filmin had dedicated a section to Book Day. Under the name <em>Filmin books</em>, you will still find new documentaries related to literature. There are some about Gabriel Ferrater, Stephen King and Georges Perec, and although I was tempted to start with him, my unconditional passion for Emmanuel Carrère and <em>The adversary</em>, surely his most emblematic work, made me opt for <em>Carrère, the writer and the murderer </em>(Camille Juza, 2024).</p>]]></description>
      <dc:creator><![CDATA[Anna Guitart]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/why-are-we-fascinated-by-murderers_129_5366138.html]]></guid>
      <pubDate><![CDATA[Fri, 02 May 2025 14:28:09 +0000]]></pubDate>
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      <media:title><![CDATA[Jean-Claude Romand, convicted of murdering his parents, wife and children.]]></media:title>
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