Night falls slowly over the horizon. The sea breathes with that calm that only peoples accustomed to living before the maritime immensity know. At the water's edge, conversations quiet down as a guitar begins to strum the first chords, full of memories and longing. Someone hums a familiar melody. Voices join in almost without realizing it. For a few moments, time seems to slow down under the weight of each verse.The murmur of the sea accompanies the memory of people who crossed the Atlantic pursuing a better life. It is also the nostalgia of those who left their land behind and of those who, after many years, returned home carrying within them another light and another way of understanding the world. From this shared memory is born what we know today as havanera: a musical genre that has ended up uniting two lands separated by the ocean and by time. A round-trip story written in the journeys of entire generations. When the horizon led to America

During the 18th and 19th centuries, Cuba became one of the main destinations for Catalan emigration. Many young people set sail for the Caribbean with the hope of prospering in a land that, from a distance, seemed to offer infinite opportunities. Some made their fortunes there; others simply sought to fulfill their dreams. Between sugar plantations, commercial warehouses, and ports, an intense relationship was woven between the two shores of the Atlantic.The Catalan presence on the island was so significant that commercial, family, and cultural ties ended up shaping an authentic Atlantic network. Cuba became a familiar space within the Catalan imagination, almost an exotic extension of the land itself. But that relationship would also be marked by the contradictions of the colonial system, by the wars of independence, and by the tensions of a world that was beginning to transform.That transatlantic adventure, so present in the Catalan imaginary, cannot be separated from the colonial context in which it took place. A large part of the prosperity that some "indians" achieved in Cuba was linked to an economy sustained by the structures of the empire and by the plantations that fed Atlantic trade. Havaneres do not explicitly explain this reality, but they also form part of this same historical universe. Behind the nostalgia that these melodies exude, the contradictions of a past that today invites a more complex view also resonate.For decades, ships connected the two shores with a constant flow of people and hopes. On deck, many watched the Catalan coast slowly fade on the horizon, not knowing if they would ever see it again. Some never returned. Others did years later, carrying within them the imprint of two lands.When in 1898 the Spanish empire lost its last American colonies, many Catalans undertook the journey back. Soldiers, merchants, sailors, and "indians" were returning. With them traveled memories, objects, words, and melodies. Among all these legacies was a music that had been born on the other side of the Atlantic and that would eventually find a new home on the Catalan coasts.

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The irreverent Albert Pla and Peyu are the protagonists of the third issue of the quarterly paper magazine The Promotion, which publishes the El Foment Cultural Foundation for the entire Catalan-speaking world, and which ARA readers in the Girona region will find included free with the newspaper this Sunday, October 12. It consists of 116 pages of Catalan culture, gastronomy, and language in a magazine whose aim is to be a "national tool," in the words of its director, Andreu Mas. The magazine insert for the second consecutive quarter is part of a collaboration agreement between the ARA and The Promotion to "strengthen and promote Catalan culture, language, and gastronomy," according to Candi Granés, the founder and president of the Girona-based organization based in the Barri Vell neighborhood.

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Anyone living or visiting the Girona region this weekend who goes to the newsstand to buy the newspaper this Sunday, July 20th, will find a very special gift. Together with ARA, they will receive the second edition of the magazine for free. The Promotion, 116 pages of Catalan culture, language, and gastronomy. This is a publication edited in Girona by the El Foment Cultural Foundation, which has its base of operations with different spaces in the heart of the Barri Vell, but which wants to go much further and be a "tool to reconnect the entire Catalan linguistic sphere", in the words of the director, Andreu Mas.

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