The countdown to Pedro Sánchez's appearance dragged on for the journalists who had to wait live on television. The Spanish president finally appeared wearing excessive makeup, attempting to give the impression of a tan to hide his distress. On La 1, Jesús Cintora and his Bad tongues they moved the cherries from theinfoteintmente Longing for the moment. Despite the efforts of the network's news services to maintain a strictly professional tone, once the Ferraz press conference ended, it took no more than five minutes for Cintora's panelists to argue in excessively loud and nervous voices. Antena 3 didn't give up on their soap opera. Dreams of freedom And during a break in the show, Sonsoles Ónega appeared to announce to viewers that they would later revisit the best moments from the press conference. But the preview took on a grotesque tone. After promising to talk about the appearance, she announced another hot topic: the son of "Mari Carmen and about dolls" He demands a statue for his mother. After the series, he would call journalists like Paco Marhuenda online to get their input. The set was covered with images of Pedro Sánchez in black and white or red and black, creating a portrait more suited to a mob movie than a thriller politician. The journalist, as is usual in this type of magazine, orchestrated a rhythm in which the contributors had to offer a series of opinions in less than thirty seconds. Tor now that the true crime It will be broadcast on Atresmedia. They compared the dramatic mountain setting with the game of political betrayal.
On Cuatro, in Summer TEM, the panelists were figures linked to political parties: Cristina Cifuentes, former president of the Community of Madrid, and Emilio Delgado, of Más Madrid. A merengue-centric view of reality. On Telecinco they never renounced discussing the miseries of SurvivorsSánchez's appearance emerged as an unappetizing mushroom that forced the audience to connect with a reality they were trying to escape. On La Sexta, they abruptly cut off the broadcast of Zapping for the press conference. Afterwards, those of Better late than never They covered the broadcast with their usual sarcasm and the zeal with which they comment on current events.
The most tense and decisive politics have been framed within the ideological anxiety of the commentators. It's increasingly difficult to find in-depth journalistic analysis, because television is hijacked by a superficial model and contributors who seem to have something personal at stake in all of it. Before, analysts with information were sought. Now, only those eager to discuss.
