Photo essay

New York: the city of contrasts

This photo essay shows us the daily life of the city, portraying its everyday life far from the romanticized image that appears in the movies.

Car traffic at the entrance to New York
Lucía Pardo
31/07/2025
3 min

New YorkThe city wakes up. The sun filters through the avenues, between the tall skyscrapers that sculpt the city. It seems like everyone is asleep, but bodies are moving. Most have already left their homes to get to work. Little by little, the city gets moving and the cafes fill with people: there are those who buy and those who serve.

New York accelerates. The streets become congested with people, cars, taxis, buses, and sirens. The subway is packed. Everyone takes up their position: at their workstation. The doorman opens the door and nods, standing all day without sitting. The hours pass and he, motionless, gives directions to those looking for directions. And, rain or snow, he will be there, at the foot of a monument. Above, a giant flag waves imposingly, as if he too were part of the symbol.

Flags are omnipresent in New York City.
People protecting themselves from the cold on the streets of the city center.

The city functions as a single organism. A system of asymmetrical mutualism: one social class works, supports, serves, and survives; the other, with fewer numbers but a greater voice, lives comfortably. Both need each other, but one takes advantage.

A man smoking while sitting on a bench.
One of the many food stops filled with signs.

The avenues are lined with luxury shops with bright, tempting windows. Outside, on the street, it's cold; you can see people's faces and little else. They crowd in front of the windows, looking at clothes, jewelry, and shoes, and discussing what they would buy, if they could. Inside the store, it's warm. The saleswomen stand waiting for customers to arrive. The goalkeeper watches the scene and smiles wearily.

The lights in the shops come on as dusk falls.

Lunchtime arrives, and the contrast becomes even more evident. There's food on every corner, sold at stalls covered in signs. You have to eat standing up, sitting on the steps.

Fruit and vegetable stalls right on the street.
Traffic signs and advertisements at a street intersection.

Luxury and work coexist, but they don't interact. Everything is covered in advertising: clean, shiny, designed to please.

The goalkeeper of a building standing in the rain.

Pause seems to have no place. Only in isolated scenes is it perceptible: the guard watching over the church; a policeman looking at his cell phone; a hastily lit cigarette. Those who are still do so because their work demands it; otherwise, the city never stops. It compels you to consume, produce, and circulate.

The manager of a food stand serving a customer.
One of the corners of Central Park.

Despite the wear and tear, despite the blatant asymmetry, national pride looms above all else. A flag on every corner, on every cap, on every uniform.

A boy waiting under one of the bridges in Central Park.

A pride that separates, but also unifies, that hides imbalances under a common promise. A flag that hides problems. That makes us forget the system we live in. Like a fungus that feeds the root without ever seeing the light, New York lives thanks to those who are not part of it.

Some of New York's skyscrapers.
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