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    <title><![CDATA[Ara in English - Chris Kraus]]></title>
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    <description><![CDATA[Ara in English - Chris Kraus]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[The great post-dramatic novel of the United States of today]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-great-post-dramatic-novel-of-the-united-states-of-today_1_5896667.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/66761b0a-f192-4857-908e-7c1752ad04a9_16-9-aspect-ratio_default_0.png" /></p><p>The entire first part of this novel is a false gateway: we read the story of a young couple who meet one day at church, get married, and go off to live in one of the idyllic suburbs where they will lead the life that every middle-class couple has dreamed of, with a little garden, children, and apple pies on Sunday afternoons. But this is a book by Chris Kraus (New York, 1955), one of the symbols of American counterculture, the author of<em> I love Dick</em>, a 1997 novel that is today considered one of the most important feminist novels, and therefore things cannot go on like this for long. There are signs for the attentive reader: the second daughter is born with a cognitive problem, the neighbors are more hostile than one would expect, and the father's jobs keep closing down. Suddenly, this grand overview focuses on a single character: Catherine, the eldest daughter, who will flee from this very uptight family as soon as she can. That is when the novel takes a leap, which will only be the first of many.</p>]]></description>
      <dc:creator><![CDATA[Marina Espasa]]></dc:creator>
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      <pubDate><![CDATA[Sun, 01 Nov 2026 07:30:35 +0000]]></pubDate>
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      <media:title><![CDATA[Final scene of 'Succession']]></media:title>
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      <subtitle><![CDATA['The four spent the day together', by Chris Kraus, summons the chaos, the nonsense and the loss of references and points of orientation that have devastated North American society]]></subtitle>
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