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    <title><![CDATA[Ara in English - Horror]]></title>
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    <description><![CDATA[Ara in English - Horror]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[Contemplating the horror from the comfortable distance of the screen]]></title>
      <link><![CDATA[https://en.ara.cat/culture/contemplating-the-horror-from-the-comfortable-distance-of-the-screen_1_5878446.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/b3804e42-ebc9-4878-a3ca-f02c5867d095_16-9-aspect-ratio_default_0_x2452y2311.jpg" /></p><p>We live in an era where nothing remains hidden from the eye. We photograph it, we record it, we broadcast it, we share it, we archive it. Reality has ceased to be just what happens to us: it is also what we look at. <a href="https://llegim.ara.cat/reportatges/dos-assajos-magnifics-entendre-present_1_2610971.html" >Lluís Calvo</a> (Zaragoza, 1963) starts from this omnipresent gaze in <em>The Eye that sees everything. Matter and terror</em>, an essay that overflows the conventional limits of the genre to explore the relationship between matter, body, violence, and fascination.</p>]]></description>
      <dc:creator><![CDATA[Anna Carreras Aubets]]></dc:creator>
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      <pubDate><![CDATA[Wed, 14 Oct 2026 05:16:27 +0000]]></pubDate>
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      <media:title><![CDATA[The father of the child Hamada Abedrabo was killed on Sunday in the Gaza Strip by an Israeli bombing.]]></media:title>
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      <subtitle><![CDATA[Lluís Calvo overflows the conventional limits of the essay in 'The Eye that sees everything' to explore the relationship between matter, body, violence and fascination]]></subtitle>
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