We live in an age where nothing remains out of sight. We photograph it, we record it, we broadcast it, we share it, we archive it. Reality has ceased to be just what happens to us: it is also what we look at. Lluís Calvo (Saragossa, 1963) starts from this omnipresent gaze in L’Ull que tot ho veu. Matèria i horror, an essay that overflows the conventional limits of the genre to explore the relationship between matter, body, violence, and fascination.