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    <title><![CDATA[Ara in English - Peter Stamm]]></title>
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    <ttl>10</ttl>
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      <title><![CDATA[What do we know about what the person we love thinks and feels?]]></title>
      <link><![CDATA[https://en.ara.cat/culture/what-do-we-know-about-what-the-person-we-love-thinks-and-feels_1_5876645.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/6de1087d-3741-4233-8ecc-554cf26153b8_16-9-aspect-ratio_default_0_x2470y1319.jpg" /></p><p>I wonder what it is that I like so much <a href="https://llegim.ara.cat/entrevistes/peter-stamm-sopars-antics-companys-d-institut-recorden-no-canviem-gaire_128_5197691.html" >about this narrator</a>, one of my favorite writers. Not one of his books has ever disappointed me! It doesn't matter if you read one of his novels or a collection of short stories: the style is unmistakable (short, sharp, elegant sentences; very penetrating psychological observations, always subtle). But the style of <a href="https://www.ara.cat/cultura/boom-patrick-modiano-despres-nobel_1_1966875.html" >Patrick Modiano</a> is also unmistakable, and, for me, the Frenchman is of very little interest. Peter Stamm's narrative situations—the setting, the spaces in which the action or thought unfolds—are very attractive to me: but so are those devised by Jonathan Franzen and Eider Rodríguez, for instance, and to me, the books of these two authors, while quite remarkable, do not move me as much as those of the Swiss writer. </p>]]></description>
      <dc:creator><![CDATA[Jordi Llavina]]></dc:creator>
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      <pubDate><![CDATA[Mon, 12 Oct 2026 06:33:08 +0000]]></pubDate>
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      <media:title><![CDATA[The Swiss writer Peter Stamm, during his last visit to Barcelona]]></media:title>
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      <subtitle><![CDATA[In 'On a Night Like This', Peter Stamm excels at presenting the dull tension within his couples: something that reveals the extreme fragility of the pact]]></subtitle>
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