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    <title><![CDATA[Ara in English - Malaysia]]></title>
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    <description><![CDATA[Ara in English - Malaysia]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA["The worst thing about some marriages is not that they break, but that they are condemned to survive"]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-worst-thing-about-some-marriages-is-not-that-they-break-but-that-they-are-condemned-to-survive_128_5861356.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/a4c39c66-02c8-4a47-81cb-77122f17aef1_16-9-aspect-ratio_default_0.jpg" /></p><p>Although <em>We, the Survivors</em> (Les Hores/Anagrama) is the first novel by Tash Aw (Taipei, 1971) that we can read in Catalan, the work of this author born in Taiwan, raised in Malaysia, and emigrated to the United Kingdom has had a remarkable international journey for two decades. With his debut, <em>The Harmony Silk Factory</em> (Harper, 2005; in Spanish at Salamandra, with the title <em>La fábrica de sedas</em>), he was already a Booker finalist, a merit he has repeated on two more occasions: with <em>Five Star Billionaire</em> (Fourth State, 2013) and also with <em>We, the Survivors</em>. Translated into more than twenty languages (in Catalan by Míriam Cano), Tash Aw explores in his novels the day-to-day life of the Malaysian working class. <em>We, the Survivors</em> narrates, with remarkable precision and subtlety, the sexual awakening of a 16-year-old boy in parallel with his parents' marital crisis and his relationship with his sisters. </p>]]></description>
      <dc:creator><![CDATA[Jordi Nopca]]></dc:creator>
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      <pubDate><![CDATA[Sat, 26 Sep 2026 06:31:03 +0000]]></pubDate>
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      <media:title><![CDATA[The writer Tash Aw, at the headquarters of the publishing house Anagrama this September]]></media:title>
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      <subtitle><![CDATA[Writer. Publishes 'El sud']]></subtitle>
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