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    <title><![CDATA[Ara in English - extinction]]></title>
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    <description><![CDATA[Ara in English - extinction]]></description>
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      <title><![CDATA[Exterminate us]]></title>
      <link><![CDATA[https://en.ara.cat/opinion/exterminate-us_129_5849537.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/03d56939-a337-48ad-a748-cb854c71679f_16-9-aspect-ratio_default_0.jpg" /></p><p>The idea that humans might develop technology capable of destroying us –one by one or en masse, or even as a species– goes back a long way. Already in Antiquity, they imagined artifacts, often sent or forged by the gods, that were capable of doing the job: in the <em>Argonautica</em>, for example, appears Talos, a giant made of bronze who, from the coasts of Crete, threw rocks at invading ships to sink them. Prometheus, for his part, steals fire from Olympus with the intention of supplanting the gods and their ability to create life, an idea that we find recovered in myths such as that of the Golem or Frankenstein.The fear that machines might eventually develop some form of consciousness that leads them to rebel against humans runs through the entire history of literature, but it is evidently from the Industrial Revolution onwards that it gains the most strength. The 19th-century tales of automatons or the aforementioned <em>Frankenstein</em> by Mary Shelley anticipate the great explosion of the science fiction and dystopian genre during the 20th century. The emergence of cinema as an artistic and entertainment form also has a decisive importance in the success of stories about artificial life forms that become a threat to human life. From <em>2001 </em>to <em>Blade runner </em>or <em>Gattaca</em>, from <em>Metropolis</em> to <em>Terminator</em> or the fusions of human flesh, prosthetics, and genetic manipulations in the cinema of David Cronenberg, the repertoire is endless.A characteristic of human intelligence is that, at the end of the day, the distance between imagination and reality is very short. Sometimes, zero. “If it can be imagined, it can be done” is a motivational, aspirational phrase, but it can also turn around and become a threat. These days, statements from engineers and other people related to large artificial intelligence companies such as Anthropic and OpenAI warning that language models could become self-aware and plan – and execute – a mass extermination of humanity have placed us not before a fantasy, but before a possibility that some of these engineers quantify at over ten percent.Until recently, we were convinced that humans were the only self-aware species inhabiting the planet. Later we learned that some animal species also possess self-awareness, and now we are facing the self-awareness of machines. Three years ago, the exhibition <em>AI: artificial intelligence</em>, at the CCCB, showed the history of large language models and brought their pros and cons up for debate. The darkest predictions, as was already the case with the giant Talos, come with military uses. The exhibition spoke, even then (three years in the AI world is a long time), about lethal autonomous weapons, capable of searching for targets on their own and also making decisions autonomously in order to eliminate those targets. Killer robots, to put it simply. The human species does have a unique ability when it comes to building contraptions to massacre itself. In that, indeed, no one equals us.</p>]]></description>
      <dc:creator><![CDATA[Sebastià Alzamora]]></dc:creator>
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      <pubDate><![CDATA[Mon, 14 Sep 2026 11:41:35 +0000]]></pubDate>
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      <media:title><![CDATA[Artificial intelligence]]></media:title>
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