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    <title><![CDATA[Ara in English - Martin MacDonagh]]></title>
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    <description><![CDATA[Ara in English - Martin MacDonagh]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[Werner Herzog synchronizes sisters Rooney and Kate Mara in ‘Bucking fastard’]]></title>
      <link><![CDATA[https://en.ara.cat/culture/werner-herzog-synchronizes-sisters-rooney-and-kate-mara-in-bucking-fastard_1_5839662.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/44c47c89-4e29-4870-b05f-322e336d5a59_16-9-aspect-ratio_default_0_x1628y75.jpg" /></p><p>If there is a director who has known how to delve into the existence of the forgotten, those expelled by society, it is <a href="https://www.ara.cat/cultura/werner-herzog-lunivers-walt-disney_1_1381245.html" target="_blank">Werner Herzog</a>. The Munich filmmaker has built, throughout his prodigious and eclectic career, a family of characters who, by force or by their own will, have found their place on the margins, far from customs, beyond what is accepted or tolerated. This Thursday the Venice Film Festival hosted the world premiere of <em>Bucking bastard</em>, a film that presents two new essential figures of the Herzog universe: Jean and Joan Holbrooke, two sisters who speak, walk, dream, and fall in love in unison. The characters are inspired by twin sisters Freda and Greta Chaplin –who gained notoriety in the 1980s for their peculiar synchronicity and their problems with the law–, but in Venice, Herzog has assured that <em>Bucking bastard</em> “is a work of fiction”.</p>]]></description>
      <dc:creator><![CDATA[Manu Yáñez]]></dc:creator>
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      <pubDate><![CDATA[Thu, 03 Sep 2026 18:06:42 +0000]]></pubDate>
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      <media:title><![CDATA[Werner Herzog and the sisters Kate and Rooney Mara at the presentation of the film 'Bucking fastard' at the Venice Film Festival.]]></media:title>
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      <subtitle><![CDATA[The British Martin McDonagh darkens Venice with the devastating existentialism of ‘Wild horse nine’]]></subtitle>
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