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    <title><![CDATA[Ara in English - Alejandro Desplat]]></title>
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    <description><![CDATA[Ara in English - Alejandro Desplat]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA["In a few years there will be no soundtrack composers, it will be cheaper to create them with AI"]]></title>
      <link><![CDATA[https://en.ara.cat/culture/in-few-years-there-will-be-no-soundtrack-composers-it-will-be-cheaper-to-create-them-with-ai_128_5818607.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/9eafec5f-36ba-4c27-805e-e0cd39a0f361_16-9-aspect-ratio_default_0_x1926y393.jpg" /></p><p>Considered by many the great European film music composer of this century and the natural successor to Maurice Jarre, Alexandre Desplat (Paris, 1961) has two Oscars in his career (for <em>The Grand Budapest Hotel</em> and <em>The Shape of Water</em>) and ten nominations – and since Sunday also the Master of Cinema of the Atlàntida Mallorca Film Fest –, but he continues to feel uncomfortable with praise. “I am not the best at anything, just a composer with little time to write music for some film,” Desplat protests. “It’s curious, because most composers in the history of cinema ended up in cinema by accident: Alex North, Ennio Morricone, Nino Rota... They all wanted to be classical composers. But I always wanted to work in cinema”.</p>]]></description>
      <dc:creator><![CDATA[Xavi Serra]]></dc:creator>
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      <pubDate><![CDATA[Fri, 07 Aug 2026 05:00:46 +0000]]></pubDate>
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      <media:title><![CDATA[The composer Alexandre Desplat at the Atlàntida Mallorca Film Fest.]]></media:title>
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      <subtitle><![CDATA[Composer, Master of Cinema award at Atlàntida Film Fest]]></subtitle>
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