The theater director Àlex Rigola does not conceive of summer readings as light readings. "Light literature just doesn't get to me. Books like The Girl on the Train seem unbearable to me, very hard to read, because there are only actions," he explains. What seduces him is more the "how it is told" than the "what." That is, the style, the voice, in short, high-flying literature. "I look for art in the narrative of writing more than in cinema. Sometimes emotional cinema takes me away, and on the other hand, in literature, I need the text itself to have quality," says the director of the Heartbreak Hotel theater.