Barcelona's major festivals are children of the nineties of the 20th century. So is Cruïlla, even though its first edition took place in the 21st century. Its director, Jordi Herreruela, lived the most impetuous period of his youth precisely in that era. Therefore, it is not surprising that Cruïlla's programming reserves space for the music of those years, as is the case with Primavera Sound and Sónar. Every generation has the right to build its own nostalgia, but in Barcelona's macro-festivals, the memory of the nineties seems to carry more weight than others. The programming for Cruïlla's second day, with Suede, Pixies, and Garbage on the main stages of the Parc del Fòrum, can be interpreted as a tribute to the generation that has already passed fifty.