The Quebec duo Angine de Poitrine, formed in 2019 and under the pseudonyms Khn de Poitrine (guitar, bass and microtonal instruments) and Klek de Poitrine (drums), occupies a singular space within the ecosystem of contemporary experimental music; not so much because it makes "another kind of pop" as because it questions the very conditions under which pop is listened to, perceived, and consumed. At a historical moment dominated by songs designed to hold attention for seconds, predictable structures optimized for platforms, and an aesthetic of emotional immediacy, Angine de Poitrine operates as a critical interference. Their work does not seek solely to produce musical pieces, but to alter the listening habits of those who listen. In this sense, more than composers or performers, they pirate listening.