Someone wrote on Twitter –it was still called that then– a few hours after the first screening of La vida d’Adèle, at the Cannes Film Festival in 2013, that Adèle Exarchopoulos was, simply, the best actress in the world. And that impression was conveyed by the young debutant in that torrential and wonderful film, Palme d’Or winner that year, exceptionally shared by the director (Abdellatif Kechiche) and the two protagonists, Exarchopoulos and Léa Seydoux.