Despite the importance of the two “classical” works scheduled for the weekend at L’Auditori (Mendelssohn's Violin Concerto and Bruckner's Third Symphony), the relevance and where to place the emphasis is on the premiere of Domèstica maragda, with text by Gemma Casamajó Solé and music by the osonenca Helena Cánovas. It was the culmination of the Canta amb l’OBC project, which brought together 170 non-professional singers and the participation of the Coral Sant Jordi. An event both grand and small: grand for the achievement of the project and the magnitude of the work, with a vocal ensemble arranged on stage and on the sides of the first floor and an immense orchestra. And small for the brevity of the piece (which is less than 10 minutes) and because this is also a small country, which diminishes its creators with the disdain that Cánovas's composition has been subjected to. And it is that, beyond the quality of the piece (more musical than literary), projects of this nature should deserve more attention. From the media and from attendees, a good part of whom —at least in the stalls— did not enter until the Mendelssohn concert began.