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    <title><![CDATA[Ara in English - Dystopia]]></title>
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    <ttl>10</ttl>
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      <title><![CDATA[And if a computer virus allowed us to access the digital files of a deceased loved one?]]></title>
      <link><![CDATA[https://en.ara.cat/culture/and-if-computer-virus-allowed-us-to-access-the-digital-files-of-deceased-loved-one_1_5738853.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/f33f0161-45d3-4a5a-9526-403c28eb4fcc_16-9-aspect-ratio_default_0.jpg" /></p><p>Writer, illustrator, and professor of synophonic literature, Wu Ming-Yi (Taoyuan, Taiwan, 1971) publishes a collection of six short stories in which humans, nature, and technology invade other worlds and confirm their interdependence. Wu Ming-Yi's literature has been labeled magical realism for the way it seamlessly links human and non-human experiences. In this sense, <em>The Land of Bitter Rain</em> (Chronos) questions anthropocentrism and suggests that humans must learn to communicate through non-human and more effective languages and perspectives. Translated by Mireia Vargas-Urpí, the book features illustrations of animals by the author himself.  </p>]]></description>
      <dc:creator><![CDATA[Anna Carreras Aubets]]></dc:creator>
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      <pubDate><![CDATA[Sat, 16 May 2026 06:32:56 +0000]]></pubDate>
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      <media:title><![CDATA[THE DROUGHT OF THE CENTURY A historic drought, the most significant in 80 years, affected the region surrounding Rio de Janeiro, Brazil, last autumn.]]></media:title>
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      <subtitle><![CDATA[Wu Ming-Yi questions anthropocentrism in 'The Land of Bitter Rain' and suggests that humans must learn to communicate through non-human and more effective languages and perspectives]]></subtitle>
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