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    <title><![CDATA[Ara in English - Laia Costa]]></title>
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    <description><![CDATA[Ara in English - Laia Costa]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[The youngest mummy in cinema is also the bloodiest]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-youngest-mummy-in-cinema-is-also-the-bloodiest_1_5709651.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/d6828dbd-e3ac-481f-88ed-650f682aca3e_16-9-aspect-ratio_default_0.jpg" /></p><p>Let's start by resolving the question that has surely arisen as you've looked at this review: who on earth is Lee Cronin? He is a director with two previous feature films, <em>A hole in the ground</em> and the appreciable <a href="https://www.ara.cat/cultura/cinema/critiques/posesion-infernal-despertar-terror-gentrificacio_1_4680178.html" target="_blank">Possessió infernal: el despertar</a><a href="https://www.ara.cat/cultura/cinema/critiques/posesion-infernal-despertar-terror-gentrificacio_1_4680178.html" target="_blank"><em>Possessió infernal: el despertar</em></a>. Credits that hardly justify including his name and surname in the title of a work, a deference usually reserved for demiurges like Fellini. It is possible, however, that this christening has less to do with the ego of the Irish filmmaker and more with the marketing juggling of Warner Bros. and Blumhouse to try to retain the hook of an iconic figure of the fantastic like the mummy and, at the same time, distance it from recent filmic incarnations, the fiasco starring Tom Cruise and the adventurous, family-friendly franchise led by Brendan Fraser.</p>]]></description>
      <dc:creator><![CDATA[Gerard Casau]]></dc:creator>
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      <pubDate><![CDATA[Thu, 16 Apr 2026 16:53:41 +0000]]></pubDate>
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      <media:title><![CDATA[A still from the movie 'The Mummy of Lee Cronin'.]]></media:title>
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      <subtitle><![CDATA[Laia Costa and Jack Reynor star in a new approach to the bandaged myth of terror]]></subtitle>
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