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    <title><![CDATA[Ara in English - Gus Van Sant]]></title>
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    <description><![CDATA[Ara in English - Gus Van Sant]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[Gus Van Sant's best returns with an electric thriller]]></title>
      <link><![CDATA[https://en.ara.cat/culture/gus-sant-s-best-returns-with-an-electric-thriller_1_5707983.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/9dc55171-d763-424f-a9aa-6418d8dff3b7_16-9-aspect-ratio_default_0_x1470y642.jpg" /></p><p>After several years navigating a purgatory of impersonal film projects and forgettable series, <a href="https://www.ara.cat/cultura/ladolescencia-mes-llestos_1_2538413.html" target="_blank">Gus Van Sant</a> returns to the cinematic forefront with <em>Prime Crime: A True Story</em>, a title that suggests a made-for-television crime drama but hides other things. To begin with, a portrait of class struggle in which the director of <em>Drugstore Cowboy</em> (1989) and <em>Elephant</em> (2003) sides with a common man (an energetic Bill Skarsgard) who, in 1977 Indianapolis, kidnaps a banker's son in revenge for his financial scams (a well-delivered and sly Al Pacino).</p>]]></description>
      <dc:creator><![CDATA[Manu Yáñez]]></dc:creator>
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      <pubDate><![CDATA[Wed, 15 Apr 2026 08:49:07 +0000]]></pubDate>
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      <media:title><![CDATA[Still from 'Prime Crime: A true story']]></media:title>
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      <subtitle><![CDATA[The indie poet of North American cinema signs in 'Prime crime: a true story' a lucid and subversive portrait of the class struggle]]></subtitle>
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