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    <title><![CDATA[Ara in English - Jean Echenoz]]></title>
    <link><![CDATA[https://en.ara.cat/etiquetes/jean-echenoz/]]></link>
    <description><![CDATA[Ara in English - Jean Echenoz]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA["A spy office wanted to put microphones on insects to get secret information"]]></title>
      <link><![CDATA[https://en.ara.cat/culture/spy-office-wanted-to-place-microphones-insects-to-obtain-secret-information_128_5692506.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/d9a9c209-1ac9-4d90-a63c-ce5a76aa74a4_16-9-aspect-ratio_default_0.jpg" /></p><p>The passage of time has not diminished the shyness of <a href="https://llegim.ara.cat/critiques-literaries/jean-echenoz-trenta-novella-acabada_1_3852572.html" >Jean Echenoz</a>, but it has not managed to turn him into a cynical or disenchanted author. Born in Orange in 1947, the French writer has been one of the headliners of this year's Mot festival, but before that he passed through Barcelona with a new book in hand. <em>Bristol </em>(Raig Verd, 2026; translation by <a href="https://llegim.ara.cat/llegim/tradueixo-ritme-que-poder-ne-viure_1_1539793.html" >Anna Casassas</a>) narrates decisive months in the life of Robert Bristol, a film director who is finishing the shoot of his latest film. It features effervescent, established, and semi-retired actresses, a solicitous but inconstant lover, an inspired policeman, a blackmailing general from South Africa, a bestselling author living in a palace, and a long list of supporting characters, human and animal, who further expand Echenoz's universe. The usual taste for details, the author's undeniable skill, and a sense of humor more subtle than our times make <em>Bristol</em> a pleasant and recommendable reading experience.</p>]]></description>
      <dc:creator><![CDATA[Jordi Nopca]]></dc:creator>
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      <pubDate><![CDATA[Sat, 28 Mar 2026 10:01:34 +0000]]></pubDate>
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      <media:title><![CDATA[Jean Echenoz]]></media:title>
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      <subtitle><![CDATA[Writer]]></subtitle>
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      <title><![CDATA[Life is a movie (or not): a reflection on 'Bristol' by Jean Echenoz]]></title>
      <link><![CDATA[https://en.ara.cat/culture/life-is-movie-or-not-reflection-bristol-by-jean-echenoz_129_5676123.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/4739d4f0-96a1-42e9-8a9a-37e3ad3b45fe_16-9-aspect-ratio_default_0_x1207y0.jpg" /></p><p>When I was little, an adult tried to snap me out of some fanciful thoughts I was absorbed in and shouted at me, "Life isn't a movie!" The phrase upset me so much that I still think about it several times a week, even though I'm 31. I don't know if life is a movie or not. The older I get, the less certain I am. In any case, it happens very often that daily life strives to resemble a film production, one that I find rather cheap and excessively dramatic. I suppose that's why I enjoyed reading <em>Bristol board</em>From the French author Jean Echenoz (Orange, 1947), published by Rayo Verde. Not only because the main character is a mediocre filmmaker and much of the plot revolves around his work, but also because of the parallel between the ordinary human gaze and the cinematic gaze.</p>]]></description>
      <dc:creator><![CDATA[Clàudia Rius]]></dc:creator>
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      <pubDate><![CDATA[Thu, 12 Mar 2026 12:01:06 +0000]]></pubDate>
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      <media:title><![CDATA[Writer Jean Echenoz in an archive image.]]></media:title>
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      <title><![CDATA[The journey, a foundational myth of literature]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-journey-foundational-myth-of-literature_1_5674645.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/1364ffa3-6661-4537-9997-71f22e2c7bc5_16-9-aspect-ratio_default_0.jpg" /></p><p>The journey is one of the foundational myths of literary history. Literally, it represents the adventure of leaving or returning home, and metaphorically, it encapsulates the full meaning of any form of inner experience involving personal movement or evolution.<em>Odyssey </em>from Homer to the<em>Ulysses</em> by James Joyce. From <em>Quixote </em>From Cervantes to the adventures of Jules Verne. From Goethe's coming-of-age novels to Mark Twain's picaresque tales. From <em>Moby Dick </em>Melville's journey through the paradises of Aurora Bertrana...</p>]]></description>
      <dc:creator><![CDATA[Aniol Costa-Pau]]></dc:creator>
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      <pubDate><![CDATA[Wed, 11 Mar 2026 07:00:52 +0000]]></pubDate>
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      <media:title><![CDATA[Russian writer Maria Stepanova photographed at the CCCB in Barcelona for her interview with ARA]]></media:title>
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      <subtitle><![CDATA[Maria Stepànova, Jean Echenoz and Gian Marco Griffi participate in the twelfth edition of the MOT festival in Olot and Girona, dedicated to travel in literature]]></subtitle>
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