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    <title><![CDATA[Ara in English - Ramón Ramón]]></title>
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    <description><![CDATA[Ara in English - Ramón Ramón]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[Fifty is a very dangerous age.]]></title>
      <link><![CDATA[https://en.ara.cat/culture/fifty-is-very-dangerous-age_1_5658530.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/b925ab3e-7add-466b-b4c7-33671661524d_16-9-aspect-ratio_default_0.jpg" /></p><p>Five years after his last published diary, <em>I don't know what dies </em>(Affairs, 2021), Ramon Ramon (Catarroja, 1970) once again makes public pages from his private notebook. He is a writer of the <em>null days without line</em>which is the only valid program, but it spaces out the moments for editing its pages. It debuted in 2014 with <em>Within the grass field (diary 2009-2012). </em>At that moment I already noted his polished and supple prose. An example: "Coming along the highway, the copper light of the valleys and mountains of Maestrat has enveloped us like sunflowers. Even a very nearsighted person like me could make out the leafy details of vineyards and olive groves. The most poetic green, in these lands, is the one painted by the plow (…).</p>]]></description>
      <dc:creator><![CDATA[Joan Garí]]></dc:creator>
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      <pubDate><![CDATA[Wed, 25 Feb 2026 06:16:01 +0000]]></pubDate>
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      <media:title><![CDATA[Residents walking along a destroyed street in Catarroja.]]></media:title>
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      <subtitle><![CDATA[The most common way for a worthwhile writer to insert himself into his time is by becoming an 'outsider': Ramon Ramon, who is now publishing the diary 'The Year of the Fifties', is a good example of this.]]></subtitle>
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