In the 1970s, Joan Miró's fame was worldwide. Some of the world's most important museums, including the MoMA in New York and the Tate Gallery in London, dedicated exhibitions to him. But accolades didn't soften Miró's spirit, and in the 1974 exhibition at the Grand Palais and the Centre Georges Pompidou, he presented a series of burned canvases. Yes, Miró remained a radical painter, and his gesture can also be interpreted as an act of protest at the end of the Franco regime. Now, one of these canvases, owned by the Fundació Joan Miró, occupies a prominent place at the beginning of the revamped tour of the museum's permanent collection. Reina Sofía Museum From 1975 to the present. Fire and more fire: alongside them, you can see some of the engravings from Picasso's Vollard Suite that were damaged during an attack on the Theo Gallery in Madrid perpetrated by the Guerrillas of Christ, who considered Picasso "a Marxist, homosexual, and pimp."