But what kind of movie is it exactly? There is no other option.A twisted comedy? One thriller Outlandish? Ungainly social realism? If you suspect that all three of these answers, posed as questions, might be true at once, you're right. Park Chan-wook's new film is a slippery cinematic artifact that resists being viewed in a single way. And how stimulating and unique is that iridescent blend of genres! There are more distinguishing features that explain its exceptional nature: 1) it has a very sharp edge (cinema against the "Now, let no one drown" mentality). And 2) formally it's dazzling. Chan-wook has entered a baroque, experimental, and uninhibited phase in which he likes to play with what he tells through images.