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    <title><![CDATA[Ara in English - Zadie Smith]]></title>
    <link><![CDATA[https://en.ara.cat/etiquetes/zadie-smith/]]></link>
    <description><![CDATA[Ara in English - Zadie Smith]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA["It still moves me to remember how well they treated me at the hospital when I was only 15 years old"]]></title>
      <link><![CDATA[https://en.ara.cat/culture/it-still-moves-to-remember-how-well-they-treated-at-the-hospital-when-was-only-15-years-old_128_5859541.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/7626312b-893c-4b4a-a295-09cd1490df0f_16-9-aspect-ratio_default_0.jpg" /></p><p>In person, <a href="https://www.ara.cat/cultura/escriure-des-no-implica-sinceritat_1_1264229.html" >Zadie Smith</a> (London, 1975) has as much character as the protagonists of her novels. For years, the author of novels such as <em>White Teeth</em> (2000) and <em>NW</em> (2012) –in Catalan at La Magrana– has combined fiction with essays, and this week she has visited Barcelona to present her latest and lush collection of non-fiction texts, <em>Feel Free</em> (Jande/Salamandra; translated into Catalan by Elena Ordeig Vila). In it, she recovers articles published in the press, prologues, award acceptance speeches, and some unpublished pieces where she combines autobiographical notes with burning issues of current affairs, such as addiction to mobile phones and the resurgence of racism. Smith, who has shared a conversation about beauty at the CCCB with the writer <a href="https://llegim.ara.cat/entrevistes/edouard-louis-mes-llibres-vaig-amagar-l-existencia-mare_128_4392366.html" >Édouard Louis</a>, regrets having agreed to give interviews after having had a rough night. Perhaps that is why her answers are brief, although they cannot avoid containing, in essence, a sample of the novelist's intelligence. </p>]]></description>
      <dc:creator><![CDATA[Jordi Nopca]]></dc:creator>
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      <pubDate><![CDATA[Thu, 24 Sep 2026 12:01:55 +0000]]></pubDate>
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      <media:title><![CDATA[Zadie Smith, in Barcelona]]></media:title>
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      <subtitle><![CDATA[Novelist and essayist]]></subtitle>
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      <title><![CDATA[The spherification of the Victorian novel]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-spherification-of-the-victorian-novel_1_5637622.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/65583539-6775-4e7e-8479-bfb06a165c5f_16-9-aspect-ratio_default_0.jpg" /></p><p>Several novels by <a href="https://www.ara.cat/cultura/escriure-des-no-implica-sinceritat_1_1264229.html" >Zadie Smith</a> (London, 1975), one of the most important writers in contemporary English literature, had been published in Catalan since her debut, <em>White teeth</em>But the vicissitudes of the publishing world (what gory novel wouldn't Smith herself write!) have condemned it to the unglamorous oblivion of secondhand bookstores, and thus the appearance of<em>The fraud</em>, her latest novel, splendidly translated by Marta Pera and<a href="https://en.ara.cat/languages/at-school-they-told-they-had-seen-my-father-killed-television-it-was-saddam-hussein_128_5294002.html" > published by the very young Jande publishing house</a>This is great news. And we hope there will be many more to come, because Smith's novels are too good not to be part of the literary conversation among Catalan-language book readers.</p>]]></description>
      <dc:creator><![CDATA[Marina Espasa]]></dc:creator>
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      <pubDate><![CDATA[Wed, 04 Feb 2026 06:15:27 +0000]]></pubDate>
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      <media:title><![CDATA['The Bayswater Bus', a painting created in the late 19th century, at the end of the Victorian era, by George William Joy]]></media:title>
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      <subtitle><![CDATA[Zadie Smith's 'The Fraud' contains most of the typical elements of the author's narrative, such as social injustices, power and class, witty phrases, humor, otherness, racism, colonialism and identity formation]]></subtitle>
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