Just as tourists climbing the shady Carrer de la Força in Girona for the first time are dazzled when the imposing cathedral appears before them with the scenic power of its baroque staircase, the audience and musicians entering the Las Vegas concert hall in Sant Feliu de Guíxols for the first time can hardly imagine that behind a modest facade will emerge a venue of retro majesty that will transport them to the 80s, with three well-stocked bars, tables and chairs with gold finishes arranged in an amphitheater, two indoor stages, and a pleasant terrace, all with a capacity for almost 900 people. Perhaps Luz de Gas (slightly smaller) is one of the few comparable venues, although due to its long history, some compare Las Vegas to Sala Apolo or La Paloma. The venue was built in 1962, but its origins date back to an open-air terrace dedicated to shows for the first tourists, which began operating in 1958 under the same name. The current director, Marc Recolons, goes even further back, explaining that his great-great-grandfather was a true pioneer of cinema in the Girona region, who in the early 20th century began showing silent films in a circus tent in Llagostera, with a projector bought from the Lumière brothers at the Universal Exhibition in Paris. The grandfather and two brothers later managed cinemas in various towns, including Calonge, Palamós, Palafrugell, and Figueres (here also named Las Vegas).

Older people know it because it was a Marist Brothers seminary. Those born in the 80s and 90s know it because they went there for their first summer camps, sharpening tools and building huts like prehistoric people. And for the Catalan cultural scene, it has become, in the last eight years, an interdisciplinary meeting point. An intimate space where you can enjoy everything from performances by emerging groups, companies, and artists to shows by renowned musicians like Sílvia Pérez Cruz, Adrià Puntí, and the Vallès Symphony Orchestra.

The vast warehouse of Airearte, in Sant Jordi Desvalls, is like an expanding continent, capable of absorbing everything that boils in Lluís Mohedano's mind. A space that grows like one of the giant inflatables that have allowed its creator to literally live off the air for forty years. The building, a former onion and potato drying facility, has become over time an artifact difficult to classify: an art gallery, a concert hall, a stage for theater, dance, and poetry. coworking It's an improvised space for workshops and, at the same time, a bar where cocktails and small plates mingle with relaxed conversations. Initially, it only opened occasionally, coinciding with exhibitions, but since last summer, now with a bar license, it's open every day and hopes that a growing clientele will validate its original and constantly evolving concept.