With more enthusiasm than metronomic precision, the audience in Vienna's Musikverein's Golden Hall performed the ritual, clapping along to the rhythm of Johann Strauss Sr.'s Radetzky March. Thus ended the traditional New Year's concert, which, with an estimated audience of 50 million viewers in 150 countries, is the first globally televised event of the year. In Spain, La1 broadcast the concert, with commentary by Martín Llade, and the broadcast had a particularly nostalgic feel, as, after more than a decade's absence, the public broadcaster revived another of the traditional holiday treats: the ski jumping from the German town. The concert was conducted by Canadian Yannick Nézet-Séguin (Montreal, 1975), who has led the Vienna Philharmonic on some thirty occasions, but this was his debut in this New Year's format. In total, nineteen conductors have led the recital since it was established in 1939, none of whom have been women. There were a couple of female composers in the repertoire, perhaps as an apology: Josephine Weinlich, founder of the first all-female orchestra in Europe—whose arrangement of Wolfgang Dörner's polka-mazurka was performed. Sirenan lieder– and the American Florence Pine, in this case the Rainbow vouchers which he composed for piano.