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    <title><![CDATA[Ara in English - Chanel]]></title>
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      <title><![CDATA[Is wearing Chanel democratic?]]></title>
      <link><![CDATA[https://en.ara.cat/sunday/is-wearing-chanel-democratic_129_5593502.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/c6c99a27-8e8f-4aff-81fa-ca28137e7ac3_16-9-aspect-ratio_default_0.jpg" /></p><p>On December 2nd, an unusual scene unfolded at the Bowery subway station in New York City: a throng of women dressed head-to-toe in Chanel—one of the world's most exclusive brands—strolled along the platform. The New York subway, a cultural symbol and a universally accessible public service, is a space where more than three million people from diverse backgrounds coexist every day. But that night was no ordinary commute: it was the fashion show. <em>Artistic Crafts</em>, the annual event where the <em>house</em> It showcases the excellence of its artisan workshops. "The New York subway belongs to everyone," explained creative director Matthieu Blazy. A statement that many media outlets have been quick to interpret as a democratizing gesture seeking to reconnect with the supposed popular essence of its founder, Gabrielle "Coco" Chanel.</p>]]></description>
      <dc:creator><![CDATA[Sílvia Rosés]]></dc:creator>
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      <pubDate><![CDATA[Tue, 16 Dec 2025 06:00:54 +0000]]></pubDate>
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      <media:title><![CDATA[Bhavita Mandava, a model originally from India discovered on the New York subway, at the Metiers D'Art Show 2026 that took place in the subway.]]></media:title>
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