The saga Daggers in the back It has not only revitalized a genre that Hollywood considered dead and buried, like the whodonitbut has transformed it into an incisive tool for social satire. After portraying the racism of the upper classes in the first part and the egomania of the techno-oligarchs in the secondIn this new installment, director Rian Johnson points to God. Specifically, to the parish where a young, former boxer priest (Josh O'Connor) arrives, hoping his kind nature will counterbalance the rabid hatred of the local priest (Josh Brolin), who attacks the "perfidious modernity" of single mothers and "whores" in his sermons. But it is when the priest is inexplicably murdered and suspicion falls on his younger colleague that the appearance of Benoit Blanc (Daniel Craig) provides the film's most compelling conflict: between the priest's waning faith in God and the uncompromising rationality of the infallible detective, a battle that unfolds through understanding.