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    <title><![CDATA[Ara in English - book review]]></title>
    <link><![CDATA[https://en.ara.cat/etiquetes/book-review/]]></link>
    <description><![CDATA[Ara in English - book review]]></description>
    <language><![CDATA[es]]></language>
    <ttl>10</ttl>
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      <title><![CDATA[Oscar Wilde and the precious perversity of genius]]></title>
      <link><![CDATA[https://en.ara.cat/culture/oscar-wilde-and-the-precious-perversity-of-genius_1_5683606.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/b8e0da14-fab4-427a-b429-2a8f0d2d583b_16-9-aspect-ratio_default_0_x502y0.png" /></p><p>The drawback of literary classics that have become universal cultural icons is that we already know them by heart. The virtue of literary classics that have become universal cultural icons is that they are so significant and fascinating that you never tire of them and can return to them again and again, which transforms the inconvenience of knowing them by heart into a blessing, an incentive, and an advantage.</p>]]></description>
      <dc:creator><![CDATA[Pere Antoni Pons]]></dc:creator>
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      <pubDate><![CDATA[Thu, 19 Mar 2026 17:01:04 +0000]]></pubDate>
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      <media:title><![CDATA[Actor Ben Barnes in the film 'The Picture of Dorian Gray', directed by Oliver Parker in 2009.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/b8e0da14-fab4-427a-b429-2a8f0d2d583b_16-9-aspect-ratio_default_0_x502y0.png"/>
      <subtitle><![CDATA[The House of Classics publishes 'The Picture of Dorian Gray', translated by Yannick Garcia and with a prologue by Albert Serra]]></subtitle>
    </item>
    <item>
      <title><![CDATA[Josep Maria Llompart: the man, the poet, and the civic icon]]></title>
      <link><![CDATA[https://en.ara.cat/culture/josep-maria-llompart-the-man-the-poet-and-the-civic-icon_1_5582264.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/97d34139-1ab9-4c7a-8907-92338392f6bf_16-9-aspect-ratio_default_0_x785y1033.jpg" /></p><p>Great figures make history, but history also makes great figures. Josep Maria Llompart de la Peña (Palma, 1925-1993), descended on his father's side from a Mallorcan family that had adopted Castilian customs, and on his mother's side from a family of Castilian and Andalusian ancestry, with a military tradition, was raised and educated to be a man of order, a supporter of Franco, and a Castilian nationalist. In the end, through a mixture of personal rebellion, timely knowledge, and extreme historical circumstances, he became one of the most important writers in Catalan literature in Mallorca and the main civic-political icon of left-wing Mallorcan nationalism in the second half of the 20th century.</p>]]></description>
      <dc:creator><![CDATA[Pere Antoni Pons]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/josep-maria-llompart-the-man-the-poet-and-the-civic-icon_1_5582264.html]]></guid>
      <pubDate><![CDATA[Thu, 04 Dec 2025 06:01:18 +0000]]></pubDate>
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      <media:title><![CDATA[Josep Maria Llompart de la Peña at one of the events celebrating the 25th anniversary of the OCB at the Auditorium in Palma in 1987.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/97d34139-1ab9-4c7a-8907-92338392f6bf_16-9-aspect-ratio_default_0_x785y1033.jpg"/>
      <subtitle><![CDATA[In 'While I Have a Breath Left', Pilar Arnau y Segarra unfolds the biography of one of the most important writers of Catalan literature from Mallorca]]></subtitle>
    </item>
    <item>
      <title><![CDATA[A fascinating story by Jordi Lara from beginning to end]]></title>
      <link><![CDATA[https://en.ara.cat/culture/fascinating-story-by-jordi-lara-from-beginning-to-end_1_5581316.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/8d2b30d2-e98b-4773-b122-0305a8011e9d_16-9-aspect-ratio_default_0_x725y0.jpg" /></p><p>If we asked ChatGPT, with the vast amount of information it has about the writer Jordi Lara (Vic, 1968), to write us a story imitating his style, his imaginative soul, I highly doubt that it would give us a product as unique, and at the same time as complete, as this one. <em>The Cat and the Stars</em> It seems to mark a new turning point in the career of the author of<em>A machine for waking up birds at night</em> (2008) and <em>Mystic rabbit</em> (2016). There is no celebration of memory like the one we found in the books cited, for example. Nor is there a reconstruction of a real person through their last days of life, as occurred in <em>Six nights in August</em> (2019) with Lluís Maria Xirinacs. Here it seems rather that the author wanted to make a vehement defense of fiction <em>per se</em>The beginning might remind us of those desert-like, civilization-overwhelming settings found in some American authors like Cormac McCarthy. A tradition that also goes back to Faulkner.</p>]]></description>
      <dc:creator><![CDATA[Jordi Llavina]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/fascinating-story-by-jordi-lara-from-beginning-to-end_1_5581316.html]]></guid>
      <pubDate><![CDATA[Wed, 03 Dec 2025 06:01:19 +0000]]></pubDate>
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      <media:title><![CDATA[The writer Jordi Lara.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/8d2b30d2-e98b-4773-b122-0305a8011e9d_16-9-aspect-ratio_default_0_x725y0.jpg"/>
      <subtitle><![CDATA['The Cat and the Stars' seems to mark a new turn in the career of the author of 'A Machine for Waking Up Night Birds']]></subtitle>
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      <title><![CDATA[The sea will boil like a casserole in the oven: love that heals everything]]></title>
      <link><![CDATA[https://en.ara.cat/culture/the-sea-will-boil-like-casserole-in-the-oven-love-that-heals-everything_1_5580581.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/58976e3e-0a2c-4e17-9492-aff81ad6c185_16-9-aspect-ratio_default_1054697.jpg" /></p><p>We can never thank Antònia Carré-Pons, professor of medieval literature at the Autonomous University, enough for deciding to turn the family butcher shop, Cal Carré, into a small publishing house, because giving up cured meats is not only good for cholesterol but also opens the door to food for the soul and allows us to read gems like this one. <em>History of Paris and Viana</em> (Written around the 14th-15th centuries): a pure chivalric adventure set in the time of Charlemagne, possessing the temperament, rhythm, and wit that every good story should have. Thanks to her detective work among medieval manuscripts from different periods and languages, Gemma Pellissa Prades presents us with the amorous misadventures of two characters, Paris and Viana, the daughter of the Dauphin of France and a very young, courteous knight, in a Catalan that flows beautifully. They strive for love and overcome all kinds of obstacles.</p>]]></description>
      <dc:creator><![CDATA[Marina Espasa]]></dc:creator>
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      <pubDate><![CDATA[Tue, 02 Dec 2025 13:01:10 +0000]]></pubDate>
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      <media:title><![CDATA[Excerpt from the cover of the book 'History of Paris and Viana', published by Cal Carrè.]]></media:title>
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      <subtitle><![CDATA[Gemma Pellissa Prades translates and contextualizes the anonymous medieval 'History of Paris and Viana']]></subtitle>
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