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    <title><![CDATA[Ara in English - Nelson Valente]]></title>
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    <description><![CDATA[Ara in English - Nelson Valente]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[Joel Joan overcomes the great challenge]]></title>
      <link><![CDATA[https://en.ara.cat/culture/joel-joan-overcomes-the-great-challenge_1_5663919.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/bce4dcf3-5aea-4f80-88c5-de069ecc570c_16-9-aspect-ratio_default_0_x4234y1617.jpg" /></p><p>Joel Juan was crying. He was crying as he said hello. Tears brought on, we don't know, by Sonia's final monologue about boundless resilience and faith in the afterlife, or by the emotional release he felt after an hour and a half journey with the eight characters of <em>Uncle Vanya</em> by Chekhov.</p>]]></description>
      <dc:creator><![CDATA[Santi Fondevila]]></dc:creator>
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      <pubDate><![CDATA[Sat, 28 Feb 2026 11:39:02 +0000]]></pubDate>
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      <media:title><![CDATA[Joel Joan in 'Vania' at the Teatre Romea.]]></media:title>
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      <subtitle><![CDATA[The actor ends the performance in tears after playing all eight characters of 'Vania' at the Romea Theatre]]></subtitle>
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      <title><![CDATA[T de Teatre's new family: a place where someone always ends up crying]]></title>
      <link><![CDATA[https://en.ara.cat/culture/t-teatre-s-new-family-place-where-someone-always-ends-up-crying_1_5577341.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/9fa5e493-e417-4417-9397-b0b64635080e_16-9-aspect-ratio_default_0_x2369y744.jpg" /></p><p>It was after seeing <em>The madman and the shirt</em>, the flagship work of <a href="https://es.ara.cat/cultura/teatro/nelson-valente-artista-argentino-obras-cartelera-teatro-catalan_1_4833744.html" >Nelson Valente</a> (Buenos Aires, 1971), that T de Teatre decided to sign the Argentine playwright and director for their next show. "We saw that play and went crazy. We all shared the feeling that he was a director who could take us out of our comfort zones, put us in a cocktail shaker, and shake us up," explains actress Mamen Duch. "That text has brilliant dialogue that captivated us. Nelson's plays are ensemble pieces, but they touch on relatable themes; people can identify with them, and they have a humor that can be uncomfortable," adds Àgata Roca. In recent years, Valente's appearances on the Catalan stage have become increasingly frequent. Last season he premiered <a href="https://es.ara.cat/cultura/teatro/amnesia-anos-no-recordaremos_1_5028865.html" ><em>Amnesia</em></a> at the Teatre Nacional and, in 2020, also worked with a Catalan company in <a href="https://www.ara.cat/cultura/critica-els-gossos-villarroel-focus_1_1045686.html" ><em>The dogs</em></a>...among other productions. That's why it made perfect sense that Valente's response to T de Teatre's request was affirmative.</p>]]></description>
      <dc:creator><![CDATA[Núria Juanico Llumà]]></dc:creator>
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      <pubDate><![CDATA[Sat, 29 Nov 2025 07:00:18 +0000]]></pubDate>
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      <media:title><![CDATA[The T de Teatre company with Nelson Valente]]></media:title>
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      <subtitle><![CDATA[Nelson Valente writes and directs 'Avui no lloraré', a comedy about toxic relationships and deception tailor-made for the company]]></subtitle>
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