Singer Rosalia has retracted her opinion on Pablo Picasso in recent hours, which she expressed in an interview with Argentine writer Mariana Enríquez organized by Spotify. In the conversation, the two artists debated Picasso and Rosalía said: "I really like Picasso and I've never bothered to differentiate the artist from the work. Maybe I wouldn't have liked him as much for the things I've been told, but who knows, maybe I would have. I don't know and I don't care, I enjoy his work".

Miquel Barceló doesn't make many hierarchies between artistic disciplines or historical periods. He considers ceramics to be "the mother of painting," and starting this Tuesday, 58 of his ceramics will be in dialogue with 36 by Picasso and 33 archaeological pieces from the Museum of Almería in the exhibition Reflections. Picasso x BarcelóThe highlight of the exhibition in Almería is an ingenious "nativity scene-theater," as Barceló himself describes it, depicting a Nativity. He assembled it himself on Monday morning, "deconstructing" the work done by the museum team, as its director, Tania Fábrega, wryly puts it. In fact, for the past 30 years, Barceló has created a nativity scene every year with his children, using figurines he has made himself. "I brought pieces from my workshop that were fragments, unfinished works, and figurines, and we combined them with the others without identifying who made them. It's very beautiful, because often there's a Picasso bull, a small bull of mine, and a Phoenician one, and they're made with the same or similar gestures, with very similar clay, and fired just barely. One is from Pompeii two thousand years ago, another was made in Palma, and one was made by your mother," the artist explains.

Alain Moreau, a French collector, has published in the bulletin of the Royal Catalan Academy of Fine Arts of Sant Jordi the text titled Picasso and Primitive Art. Picasso's 'Blacks' Come from French Catalonia, whose thesis has been widely reported by various Spanish and international media. Moreau maintains that the medieval frescoes of Campdevànol, Sant Martí de Fenollet, and the Devoted Christ of Perpignan influenced Picasso's painting. The Young Ladies of Avignon (The demoiselles from Avignon, 1907), and dismisses the influence of black art. These statements are fake news due to the lack of historical and documentary rigor. By spreading his "vision," Moreau contaminated public opinion, which, without sufficient evidence, formed a mistaken idea about one of the most important paintings of the 20th century and generated false Picasso-like expectations among the inhabitants of Campdevànol.