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    <title><![CDATA[Ara in English - Mircea Cartarescu]]></title>
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    <description><![CDATA[Ara in English - Mircea Cartarescu]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA["I wanted to enter into the forbidden room of sexuality"]]></title>
      <link><![CDATA[https://en.ara.cat/culture/wanted-to-enter-into-the-forbidden-room-of-sexuality_128_5881802.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/2ca78a6e-39ae-43f6-93ee-80d5274eba57_16-9-aspect-ratio_default_0_x1609y697.jpg" /></p><p>For several years now, Catalan readers have been able to savor the meticulous, introspective, and hallucinatory prose of <a href="https://llegim.ara.cat/actualitat/totes-grans-novelles-son-poemes_1_1253208.html" >Mircea Cartarescu</a> (Bucharest, 1956). While Periscopi published <em>Solenoid</em> (2017) and the <em>Blinding</em> trilogy (2018-2022), novels translated by Antònia Escandell Tur, thanks to the Mallorcan publisher Lleonard Muntaner and translator Xavier Montoliu Pauli, the volumes of short stories <em>Why We Love Women</em> (2016), the poems of <em>Nothing</em> (2018), <a href="https://llegim.ara.cat/entrevistes/mircea-cartarescu-no-em-sorpren-gens-hagis-somiat_128_4998720.html" >an extensive and essential anthology</a> of his <em>Diaries</em> (2024) have arrived, and now, <em>Travesti</em>, which according to the Romanian author was "the beginning of everything that has come after." This short novel, published in Romanian in 1994, presents a 34-year-old writer who, with the desire to emerge from the crisis he finds himself in, recalls the summer of his adolescence spent in camps where contact with nature, music, and inquiries into his own sexuality changed his life. </p>]]></description>
      <dc:creator><![CDATA[Jordi Nopca]]></dc:creator>
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      <pubDate><![CDATA[Sat, 17 Oct 2026 05:58:41 +0000]]></pubDate>
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      <media:title><![CDATA[Mircea Cartarescu, Romanian writer]]></media:title>
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      <subtitle><![CDATA[Writer]]></subtitle>
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