One of the great mysteries that has yet to be solved is what the Sagrada Família will finally look like, and we will still have to wait. At the end of June, the temple's Construction Board presented the board of trustees with the three artistic proposals from Miquel Barceló, Cristina Iglesias, and Javier Marín for the Glory façade, but for now, the debate remains wide open. To the point that, as ARA has learned, the president of the Construction Board, Esteve Camps, has sent a letter to the three artists informing them that the temple needs "more time" to make a decision.

Basque artist Cristina Iglesias (San Sebastián, 1956) has distinguished herself since the beginning of her career by going beyond sculpture understood as an object. "For me, it's always been more interesting to create a place and provoke a perception, an experience," says Iglesias in Barcelona, ​​where the Catalunya La Pedrera Foundation is dedicating an exhibition to her from this Thursday until January 25. According to the exhibition's curator, James Lingwood, there is also a latent or hidden content in Iglesias's work. "There are people who, when they look at art, say they don't understand the piece, that they aren't ready. Instead, it's quite the opposite: you have to let yourself go. In art, you don't have to understand anything, you have to hear it. You can see a work one day and feel it one way, and the next day another, and that has to do with psychology."