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    <title><![CDATA[Ara in English - Nausicaa Bonnin]]></title>
    <link><![CDATA[https://en.ara.cat/etiquetes/nausicaa-bonnin/]]></link>
    <description><![CDATA[Ara in English - Nausicaa Bonnin]]></description>
    <language><![CDATA[es]]></language>
    <ttl>10</ttl>
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      <title><![CDATA["I live in a world of privilege and, suddenly, there are things I don't realize"]]></title>
      <link><![CDATA[https://en.ara.cat/media/live-in-world-of-privilege-and-suddenly-there-are-things-don-t-realize_128_5758838.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/3c1eb68c-a696-493f-a4e9-eab0de790bba_16-9-aspect-ratio_default_0.jpg" /></p><p>Nausicaa Bonnín (Barcelona, 1985) is waiting to do the interview with ARA reading <a href="https://en.ara.cat/media/with-this-turn-to-the-right-anything-you-say-of-common-is-woke_128_5698326.html" ><em>Garlanda</em></a><a href="https://en.ara.cat/media/with-this-turn-to-the-right-anything-you-say-of-common-is-woke_128_5698326.html" >, Maria Rovira's book, who confesses it's making her die of laughter</a>. Dedicated to the world of acting from a very young age – she went on stage before she was ten – she conveys a sense of someone grounded, without airs and with great naturalness. This Sunday she premieres <em>33 días </em>on Atresplayer, the first fiction series born from Carles Porta's factory and based on the case of Brito and Picatoste. Bonnín plays the Mossos d'Esquadra investigator in charge of the case. </p>]]></description>
      <dc:creator><![CDATA[Alejandra Palés]]></dc:creator>
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      <pubDate><![CDATA[Fri, 05 Jun 2026 05:02:57 +0000]]></pubDate>
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      <media:title><![CDATA[Nausicaa Bonnín]]></media:title>
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      <subtitle><![CDATA[Actress]]></subtitle>
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      <title><![CDATA["I'm tired of watching LGBTI films where the conflict is the discovery of homosexuality."]]></title>
      <link><![CDATA[https://en.ara.cat/culture/m-tired-of-watching-lgbti-films-where-the-conflict-is-the-discovery-of-homosexuality_1_5514488.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/dc184b4d-ad96-4c4b-9e80-e363defba588_16-9-aspect-ratio_default_0_x6162y1322.jpg" /></p><p>When he was two years old, one day his parents were in London and his grandmother was looking after him, <a href="https://en.ara.cat/culture/when-we-watched-the-movie-at-home-my-father-cried_128_5481917.html" target="_blank">Jaume Claret Muxart</a> (Sant Cugat, 1998) was electrocuted while removing a plug. "The light went through me," explains the filmmaker. "And it's the first image I remember, a circle like a cartoon. It's kind of funny because I ended up making cinema, which is the art of light." Whether or not it's because of that original electric shock, in Claret Muxart's films there is restlessness and trembling, but above all a plastic intensity that can be appreciated in the images shot in 16 mm.<em>Strange river</em>, he<em>debut film</em> which this young director (26 years old) premieres on Friday.</p>]]></description>
      <dc:creator><![CDATA[Xavi Serra]]></dc:creator>
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      <pubDate><![CDATA[Wed, 01 Oct 2025 11:53:38 +0000]]></pubDate>
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      <media:title><![CDATA[Jan Monter in 'Strange River']]></media:title>
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      <subtitle><![CDATA[Jaume Claret Muxart premieres his debut film 'Extrany riu', a magnetic river road movie]]></subtitle>
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