Roseta Mauri's is one of those epic biographies that has been left out of official history, probably because she was a woman and a dancer. But the passage of time only serves to magnify the exceptionality of this important figure in Catalan artistic heritage. Roseta Mauri was a poor girl from Reus "who ate pigeons for dinner" and who would end up becoming, with her talent and years of sacrifice, a unique case: the prima ballerina of the Paris Opera, an influential figure in the Parisian cultural scene at the turn of the 19th and 20th centuries and the subject of paintings by the great Impressionist painters, especially Of Impressionist Painters. The Teatre Nacional wants to contribute to her definitive popularization with a multidisciplinary show, The daughter of the air, which opens at the Sala Tallers from October 2 to 19, directed by Raimon Molins.