And we shouted like sinners in hell. Spurred on by Albert Vidal, transformed into Dante, and after a sincere and enthusiastic applause, the audience engaged in an exercise of collective intelligence in a song—modulated by the maestro—that ended with a liberating and excited cry that even knocked him to the ground. It was a fantastic culmination of the journey through the first three cantos of the'Hell of Dante Alighieri, led by a superb rhapsodist possessed by the words of the Tuscan writer.