Since his rise to fame with Mecano, Nacho Cano (Madrid, 1963) has revealed himself as an artist as versatile as he is extravagant: the composer of one of the most important bands of the Movida unilaterally broke with his brother and Ana Torroja, the other two members of the group, and went to Miami frequented by the jet setSince then, he has pursued this line of business in parallel with what is now his main activity: creating musicals. The premiere of the show Malinche put Cano in the eye of the storm when he received an avalanche of complaints from Mexican interns for alleged human trafficking and ended up arrested and booked at the police station. Behind this case, now closed, the artist sees a supposed black hand that, in his opinion, punishes him for harming one of his closest friends: Isabel Díaz Ayuso.

On Tuesday, Pablo Motos interviewed Nacho Cano in The Anthill to promote his show. But it wasn't exactly the musical side of things that interested the host. Aware of the artist's ideologically delusional trajectory, he wanted him to talk about political issues. Furthermore, the Mecano member knew perfectly well that with the plush ants he'd find the perfect environment to unleash his conspiracy theories, and he already entered the set with a mysterious book under his arm. The show has become just that: a hotbed of characters unleashing their reactionary side against Pedro Sánchez. The Anthill It serves Motos to enhance this idea of a community oppressed by the absurdity woke.