<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:media="http://search.yahoo.com/mrss/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:atom="http://www.w3.org/2005/Atom"  xmlns:content="http://purl.org/rss/1.0/modules/content/" version="2.0">
  <channel>
    <title><![CDATA[Ara in English - Amanda Seyfried]]></title>
    <link><![CDATA[https://en.ara.cat/etiquetes/amanda-seyfried/]]></link>
    <description><![CDATA[Ara in English - Amanda Seyfried]]></description>
    <language><![CDATA[es]]></language>
    <ttl>10</ttl>
    <atom:link href="http://en.ara.cat:443/rss-internal" rel="self" type="application/rss+xml"/>
    <item>
      <title><![CDATA[Amanda Seyfried is God]]></title>
      <link><![CDATA[https://en.ara.cat/culture/amanda-seyfried-is-god_1_5675831.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/99cb4a0b-99b7-4c2d-b8eb-40b391781c20_16-9-aspect-ratio_default_0_x1545y156.jpg" /></p><p>It's hard to resist comparing <a href="https://es.ara.cat/cultura/cine/criticas/experiencia-cinematografica-temporada-impugna-sueno-americano-mirada-judia_1_5262813.html" target="_blank"><em>The brutalist</em></a> with <em>Ann Lee's Will</em>Two films written by Mona Fastvold and Brady Corbett, in which this creative and romantic couple alternated directing duties. Both films can be interpreted as critical reinterpretations of the founding myth of the United States through the portrayal of two unorthodox characters who, in different ways, propose utopias that challenge the<em>status quo</em> of her time. The similarities end here, since, in her second feature film as a director, Fastvold proposes a risky and unusual look at an unclassifiable female character.</p>]]></description>
      <dc:creator><![CDATA[María Adell Carmona]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/amanda-seyfried-is-god_1_5675831.html]]></guid>
      <pubDate><![CDATA[Thu, 12 Mar 2026 08:32:39 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/99cb4a0b-99b7-4c2d-b8eb-40b391781c20_16-9-aspect-ratio_default_0_x1545y156.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Amanda Seyfried in 'The Testament of Ann Lee'.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/99cb4a0b-99b7-4c2d-b8eb-40b391781c20_16-9-aspect-ratio_default_0_x1545y156.jpg"/>
      <subtitle><![CDATA[The actress stars in 'The Testament of Ann Lee', the new film from the artistic team behind 'The Brutalist']]></subtitle>
    </item>
    <item>
      <title><![CDATA[Sydney Sweeney, bad temper and little cinema in the adaptation of the viral 'bestseller' of the moment]]></title>
      <link><![CDATA[https://en.ara.cat/culture/sydney-sweeney-bad-temper-and-little-cinema-in-the-adaptation-of-the-viral-bestseller-of-the-moment_1_5605420.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/71449aa3-c7f8-484a-9d6f-90d832558f29_16-9-aspect-ratio_default_0_x336y125.jpg" /></p><p>In 1960, South Korean society was shaken by the premiere of <em>The housemaid</em>, a masterful combination of family drama and <em>thriller</em> A psychological drama in which a maid disrupted the bourgeois and patriarchal order of a wealthy family. It is pure cinephile fantasy to imagine that Kim Ki-young's majestic film—considered the best in the history of South Korean cinema—is at the origin of the <em>best-seller </em>Freida McFadden's viral hit, which Paul Feig (director of some episodes of) is now bringing to the big screen <em>Mad Men</em> and of <a href="https://www.ara.cat/societat/humor-bandarra-toc-femeni_1_2569468.html" target="_blank"><em>My best friend's wedding</em></a>There is a gulf between the sharp staging and twisted naturalism of the South Korean classic and the aesthetic ineffectiveness of <em>The assistant</em>By blindly trusting the twists and turns of McFadden's novel, those responsible for this routine adaptation—from the director to the cast, including screenwriter Rebecca Sonnenshine—fail to create a visually or narratively stimulating spectacle.</p>]]></description>
      <dc:creator><![CDATA[Manu Yáñez]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/culture/sydney-sweeney-bad-temper-and-little-cinema-in-the-adaptation-of-the-viral-bestseller-of-the-moment_1_5605420.html]]></guid>
      <pubDate><![CDATA[Tue, 30 Dec 2025 10:57:16 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/71449aa3-c7f8-484a-9d6f-90d832558f29_16-9-aspect-ratio_default_0_x336y125.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Sydney Sweeney in 'The Housemaid']]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/71449aa3-c7f8-484a-9d6f-90d832558f29_16-9-aspect-ratio_default_0_x336y125.jpg"/>
      <subtitle><![CDATA[The actress stars alongside Amanda Seyfried in 'The Assistant', based on the popular novel by Freida McFadden]]></subtitle>
    </item>
    <item>
      <title><![CDATA[Facts and myths about the famous 'environmentalists' who wear the same suits]]></title>
      <link><![CDATA[https://en.ara.cat/celebrities/facts-and-myths-about-the-famous-environmentalists-who-wear-the-same-suits_1_5488559.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/4db89a2e-e7f3-4de1-8eb7-969c7848fda9_16-9-aspect-ratio_default_0.jpg" /></p><p>If you want to look like a famous person from the 21st century and create a brand image of an eco-responsible person who has left frivolity behind and cares about something more than just their appearance, you only have to do one thing: wear a dress again. Making this decision will open the doors to the media Olympus. If a media outlet detects—which will happen because your team will have told them beforehand...—that you are wearing an outfit you've already worn before, the fashion editors will be incredibly excited, and you might be at the top of the well-dressed list at some festival, or maybe you'll make the headlines on the red carpet.</p>]]></description>
      <dc:creator><![CDATA[Joan Callarissa]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.ara.cat/celebrities/facts-and-myths-about-the-famous-environmentalists-who-wear-the-same-suits_1_5488559.html]]></guid>
      <pubDate><![CDATA[Sat, 06 Sep 2025 08:11:10 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/4db89a2e-e7f3-4de1-8eb7-969c7848fda9_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Cate Blanchett in Venice]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/4db89a2e-e7f3-4de1-8eb7-969c7848fda9_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[The Venice Film Festival has brought this issue back to the table thanks to the visit of Cate Blanchett wearing a second Armani Privé and Julia Roberts and Amanda Seyfried, who lent each other a Versace look.]]></subtitle>
    </item>
  </channel>
</rss>
