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    <title><![CDATA[Ara in English - Cate Blanchett]]></title>
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    <description><![CDATA[Ara in English - Cate Blanchett]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[Facts and myths about the famous 'environmentalists' who wear the same suits]]></title>
      <link><![CDATA[https://en.ara.cat/celebrities/facts-and-myths-about-the-famous-environmentalists-who-wear-the-same-suits_1_5488559.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/4db89a2e-e7f3-4de1-8eb7-969c7848fda9_16-9-aspect-ratio_default_0.jpg" /></p><p>If you want to look like a famous person from the 21st century and create a brand image of an eco-responsible person who has left frivolity behind and cares about something more than just their appearance, you only have to do one thing: wear a dress again. Making this decision will open the doors to the media Olympus. If a media outlet detects—which will happen because your team will have told them beforehand...—that you are wearing an outfit you've already worn before, the fashion editors will be incredibly excited, and you might be at the top of the well-dressed list at some festival, or maybe you'll make the headlines on the red carpet.</p>]]></description>
      <dc:creator><![CDATA[Joan Callarissa]]></dc:creator>
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      <pubDate><![CDATA[Sat, 06 Sep 2025 08:11:10 +0000]]></pubDate>
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      <media:title><![CDATA[Cate Blanchett in Venice]]></media:title>
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      <subtitle><![CDATA[The Venice Film Festival has brought this issue back to the table thanks to the visit of Cate Blanchett wearing a second Armani Privé and Julia Roberts and Amanda Seyfried, who lent each other a Versace look.]]></subtitle>
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      <title><![CDATA[Jim Jarmusch sheds light on Venice's darkness]]></title>
      <link><![CDATA[https://en.ara.cat/culture/jim-jarmusch-sheds-light-venice-s-darkness_1_5483375.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/34bcee77-dec6-45c4-b922-185d6c23f74a_16-9-aspect-ratio_default_0.jpg" /></p><p>The arrival this Sunday of the American filmmaker Jim Jarmusch at the Venice Film Festival was an injection of sensitivity and bonhomie in an official competition that, with the exception of <a href="https://en.ara.cat/culture/guillermo-toro-claims-the-right-to-be-different-in-venice_1_5482854.html" >the humanistic adaptation of </a><a href="https://en.ara.cat/culture/guillermo-toro-claims-the-right-to-be-different-in-venice_1_5482854.html" ><em>Frankenstein</em></a><a href="https://en.ara.cat/culture/guillermo-toro-claims-the-right-to-be-different-in-venice_1_5482854.html" > by Guillermo del Toro</a>, had been marked by some <em>thrillers</em> full of cruelty and misanthropy, like <a href="https://en.ara.cat/culture/yorgos-lanthimos-and-emma-stone-imagine-surreal-last-judgment-in-venice_1_5481509.html" ><em>Bugonia</em></a><a href="https://en.ara.cat/culture/yorgos-lanthimos-and-emma-stone-imagine-surreal-last-judgment-in-venice_1_5481509.html" > by Yorgos Lanthimos</a> either <em>No other choice</em> by South Korean director Park Chan-wook. In fact, major film festivals seem allergic to the comedy genre, unless the humor is written in a sarcastic tone. In this sense, Jarmusch's new film, titled <em>Father mother sister brother,</em> It should be seen as a delicious oasis of delicacy and happiness in a program dominated by violence and fatalism.</p>]]></description>
      <dc:creator><![CDATA[Manu Yáñez]]></dc:creator>
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      <pubDate><![CDATA[Sun, 31 Aug 2025 17:17:55 +0000]]></pubDate>
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      <media:title><![CDATA[The crew of Jim Jarmusch's film]]></media:title>
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      <subtitle><![CDATA[The Ohio filmmaker, a leading figure in indie cinema, releases a wonderful triptych of family stories.]]></subtitle>
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