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    <title><![CDATA[Ara in English - queer]]></title>
    <link><![CDATA[https://en.ara.cat/etiquetes/queer/]]></link>
    <description><![CDATA[Ara in English - queer]]></description>
    <language><![CDATA[es]]></language>
    <ttl>10</ttl>
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      <title><![CDATA['The black ball' rolls through Antinous]]></title>
      <link><![CDATA[https://en.ara.cat/business/the-black-ball-rolls-through-antinous_1_5872922.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/b07b53ba-1176-4251-8eb5-86a78b8103f8_16-9-aspect-ratio_default_0.jpg" /></p><p>Today, in 2026, a bookstore is not just a bookstore. And a bookseller is much more than a bookseller. There is a commitment, a perspective, an attitude that goes beyond them, that defines them, that makes them become priority cultural and civic agents. The dissemination of ideas, of social concerns and of the citizen's worries embodied in books, surely the greatest and most relevant institution of knowledge that humanity has ever produced. Put like that, it sounds a bit grandiloquent, but, at street level, it is immediately clear. Transparent. You only need to enter Antinous, on Casanova street almost at the corner with Consell de Cent, to realize it. You only need to talk for a while with the siblings Josep and Maria Vitas to see it clearly.</p>]]></description>
      <dc:creator><![CDATA[Toni Vall]]></dc:creator>
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      <pubDate><![CDATA[Thu, 08 Oct 2026 05:02:29 +0000]]></pubDate>
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      <media:title><![CDATA[The LGTBI+ bookstore Antonious, in Barcelona.]]></media:title>
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      <subtitle><![CDATA[The bookstore is an institution of the Eixample and 'queer' culture]]></subtitle>
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      <title><![CDATA["My grandmother likes Jesus Christ as much as she likes her transvestite clean."]]></title>
      <link><![CDATA[https://en.ara.cat/culture/my-grandmother-loves-jesus-christ-as-much-as-her-transvestite_128_5543351.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/41b63d49-8155-4fd5-99fc-23c53d354eb5_16-9-aspect-ratio_default_0_x1239y856.jpg" /></p><p>Muse of Generation Z. Internet celebrity with 362,000 Instagram followers. Trans activist. Musician and <em>performer</em>Podcaster at <em>Bombified</em>Sharp tongue and <em>looks</em> Impossible. Samantha Hudson will present the album <em>Music for Dolls </em>at the Razzmatazz venue in Barcelona on November 8th, with Hadas as the opening act. This new album showcases the two sides that have made him a leading figure in the industry. <em>queer</em>: the raw, frenzied energy of electronic music and the wisdom of political awareness. Above the stiletto heels rises a brilliant mind.</p>]]></description>
      <dc:creator><![CDATA[Laura Serra]]></dc:creator>
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      <pubDate><![CDATA[Tue, 28 Oct 2025 12:40:44 +0000]]></pubDate>
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      <media:title><![CDATA[Samantha Hudson in a promotional photo.]]></media:title>
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      <subtitle><![CDATA[Musician and activist]]></subtitle>
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      <title><![CDATA[Amenábar praises the power of imagination through a 'queer' Cervantes.]]></title>
      <link><![CDATA[https://en.ara.cat/culture/amenabar-praises-the-power-of-imagination-through-queer-cervantes_1_5491892.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/452bf089-2875-4b75-8be3-0de311b45b7a_16-9-aspect-ratio_default_0_x4349y563.jpg" /></p><p>Long before writing <em>Don Quixote</em>, and after participating in a war between Christian and Muslim forces, Miguel de Cervantes was imprisoned in Algiers. <a href="https://www.ara.cat/cultura/alejandro-amenabar-mientras-dure-guerra_1_2613722.html" target="_blank">Alejandro Amenábar</a> uses this dark period in the novelist's life to place one <em>biopic</em> A fanciful story that, through a cunning and somewhat deceitful protagonist, emphasizes the magic of storytelling. And so, by telling stories, the character gives moments of escape to his fellow captives and at the same time wins the favor of his captor, as Scheherazade did in <em>Arabian Nights</em>.</p>]]></description>
      <dc:creator><![CDATA[Ignasi Franch]]></dc:creator>
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      <pubDate><![CDATA[Tue, 09 Sep 2025 18:13:15 +0000]]></pubDate>
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      <media:title><![CDATA[Julio Peña and Alessandro Borrghi in 'The Captive']]></media:title>
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      <subtitle><![CDATA[The director expands the most uncritical ways of explaining Spain's imperial past into the luxurious drama 'The Captive'.]]></subtitle>
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      <title><![CDATA["Batman and Joker are the perfect analogy for the 'queer' experience."]]></title>
      <link><![CDATA[https://en.ara.cat/culture/batman-and-joker-are-the-perfect-analogy-for-the-queer-experience_128_5470948.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/f1d84d7b-23a2-43ff-8563-30b2593f999d_16-9-aspect-ratio_default_0_x1183y237.jpg" /></p><p>It all started on X, back when it was still called Twitter. Screenwriter Bri LeRose read a comment from director Todd Phillips (<em>Joker</em>, <em>Hangover in Las Vegas</em>) on the negative effects of culture <em>woke</em> in today's comedy. Outraged, she tweeted: "I'll only see this coward's movie if Vera Drew makes it again." No sooner said than done: Drew began to recover. <em>Joker</em> with the intention of parodying it, but at some point in the process she decided to make a film about the Joker herself, but to tell her own story of accepting her identity as a trans woman. Produced for less than 100,000 euros, without Warner's permission and mixing real actors and animation, the result is <em>The people's Joker</em>, an irreverent cocktail of humor <em>queer</em>, a superhero drama that Filmin premieres this Friday.</p>]]></description>
      <dc:creator><![CDATA[Xavi Serra]]></dc:creator>
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      <pubDate><![CDATA[Thu, 14 Aug 2025 15:29:07 +0000]]></pubDate>
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      <media:title><![CDATA[Vera Drew in 'The People's Joker']]></media:title>
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      <subtitle><![CDATA[Filmmaker, premiere of 'The People's Joker']]></subtitle>
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